John F. Miller Book order

Designed to guide readers through life's toughest challenges, this 40-day devotional offers motivation and encouragement during difficult times. It redefines the concept of "crossroads," addressing issues like relationships, fear, and divine guidance. By incorporating spiritual and biblical principles, the book aims to restore zeal and passion for God, helping individuals strengthen their faith. Each day’s reading encourages a deeper connection with spirituality, making it a vital tool for anyone seeking direction and support on their journey.

Exploring the reflections of Augustan poets, this work delves into Apollo's role as an imperial icon, highlighting how these poets engaged with themes of power, divinity, and cultural identity. The analysis reveals the complex interplay between poetry and politics during the Augustan era, showcasing how Apollo's imagery was utilized to reinforce imperial authority and influence societal values. Through detailed examinations of various poetic works, the book offers insights into the artistic and ideological dimensions of this significant period in literature.

The volumes published in the series Beiträge zur Altertumskunde comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.

Until recently, Ovid's Fasti has been the most neglected of his major poems. The present study aims to contribute to the rehabilitation of the Fasti as a work of art by analyzing Ovid's depictions of religious ceremonial in the light of the elegiac tradition, especially the tradition of Ovid's own earlier elegies. After introductory studies of the Fasti's poetics and of sacred rites in the Amores , the author explicates eleven of the poetic calendar's versions of festivals. Special attention is devoted to the poem's polytonality and shifting personae.