Sabine Sielke Book order

This handbook series aids students and researchers in navigating Anglophone literary texts. Each volume combines theory with text analysis and contextual insights, addressing current concepts and academic debates. It serves as a vital resource for both students and scholars, covering literary periods, authors, cultural contexts, and relevant theories.

Once a center of transatlantic cultural exchange and the avant-garde arts, New York City has transformed into a global metropolis. This book traces a shift that took shape as cultural practices and media underwent dramatic it takes us from modernist visions of urban sublimity to postmodernist cityscapes; from Hart Crane’s Brooklyn Bridge to the Flushing Meadows fairgrounds; from Mina Loy’s poetics to Klaus Nomi’s transgressive musical performances and Jem Cohen’s multimedia experiments; from Martin Scorsese’s Taxi Driver and the Magnum Photos portfolio to post-9/11 cinema and the photo blogs of the internet age. As we visit these urban spaces and dreamscapes, we enter territories that remain contested, dynamic locales in a city that keeps unfolding its transformative force.

This collection of essays explores the poetics and politics of US-American poetry’s diverse and distinct investments in the imaginary space of ‘the Orient’. Reading American poets – from Emily Dickinson to Frank Bidart, from Ralph Waldo Emerson to Kimiko Hahn – the contributions show how tropes of the Orient have fabricated screens onto which we project matters by no means foreign, but very close to home. As we accompany American poets on their journeys East, we are bound to arrive in – culturally specific – territories of the West. Traversing cultural crossroads and rediscovering places as ‘exotic’ as Banyan ashrams and Bostonian living rooms, these expeditions shed new light on crucial moments of American literary and cultural history. And, on the way, they reassess what Edward Said, thirty years ago, conceived of as Orientalism, and how far this concept has travelled in the meantime.

The body is a battleground. As such it has been at the center of debates in cultural and gender studies for over two decades. The concept of a culturally constructed, gendered, racialized, and class-contoured body which emerged from these debates is meanwhile being challenged, though, by an increasing impact of the life sciences. Evolving from neurobiology, molecular genetics, and biotechnology are projections of a post- or transhuman subject as well as new insights into our corporeality and the ways our bodies interrelate with the world. Situating the body at an intersection of a range of discourses in the human, social, and natural sciences, this collection of essays explores this fundamental shift by way of dialogues between disciplines in the course of which our sense of beauty and human nature, memory and trauma, immunity, power, and pain is being transformed.

Focusing on the discourse surrounding sexual violence, this book explores the cultural significance of rape in American society during the late twentieth century. It delves into the reasons behind its prominence as a symbol of power dynamics, analyzing how societal narratives shape perceptions and responses to sexual violence. Through critical examination, it sheds light on the complexities of these discussions and their implications for understanding power relations.