Michael Webster Book order

The Energetic Matrix invites readers to embrace a transformative journey by challenging their existing beliefs and perceptions. It offers an exploration of a vibrant, alternative reality where new possibilities and experiences await those willing to take a leap of faith. This book promises to expand understanding and encourage a profound shift in perspective, opening doors to an exciting and dynamic world.

Offers techniques, tips, and insights into squeezing maximum performance out of a virtualized database.

Exploring the concept of parallel universes, this book delves into the journey of a protagonist who navigates different dimensions, each offering unique challenges and insights. As the character encounters diverse cultures and realities, themes of identity, choice, and the nature of existence emerge. The narrative combines elements of science fiction and philosophical inquiry, inviting readers to reflect on their own perceptions of reality and the interconnectedness of all things.

Is the evolutionary process intelligently designed? If so, why did the Creator choose such an evil-infested means to create the biosphere? What is the intrinsic nature of evil itself? Is natural evil necessary? Is evil compatible with the existence of God? Will the world's evils ever be totally redeemed? What place does humanity occupy in the cosmic scheme of things? Evolution and the Problem of Natural Evil attempts to answer these and other timeless questions by proposing a bold new conceptual synthesis that aggressively marries the tenets of modern developmental psychology to the basic concepts of classical theism. The end result of this novel approach is deeply encouraging, insofar as it places the problem of evil, as well as the general fate of human existence, in a much larger and more optimistic context than has traditionally been imagined.

Early in the century, poets expanded the possibilities of their genre by creating sound poems, by dispensing with syntax and punctuation, and by arranging words and letters across the page in new visual patterns. This book explores ways of reading the aesthetically challenging and semiotically subversive texts created by four F.T. Marinetti (1876-1944), Kurt Schwitters (1887-1948) and e.e. cummings (1894-1962). The book shows us how to read these experimental texts in a variety of interrelated as products of each poet's individual aesthetic, as part of the avant-garde's reaction to aestheticism, as efforts to bring art closer to life, and as attempts to c reate a new kind of semiotically and aesthetically 'open' work. The book concludes by emphasizing the individual invention of its four central figures rather than placing them in their usual roles as precursors to the concrete poetry movement of the fifties.