Walt Whitman Books

This exploration delves into Whitman's journey of self-discovery, highlighting his profound and mystical connection with the world around him. The narrative reveals how his experiences shaped his identity and artistic expression, offering a deep understanding of his philosophical and poetic evolution.

When Walt Whitman self-published Leaves of Grass in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891 and other works.

As he was turning forty, Walt Whitman wrote twelve poems in a small handmade book he entitled "Live Oak, With Moss." The poems were intensely private reflections on his attraction to and affection for other men. They were also Whitman's most adventurous explorations of the theme of same-sex love, composed decades before the word "homosexual" came into use. This revolutionary, extraordinarily beautiful and passionate cluster of poems was never published by Whitman and has remained unknown to the general public--until now. New York Times bestselling and Caldecott Award-winning illustrator Brian Selznick offers a provocative visual narrative of "Live Oak, With Moss," and Whitman scholar Karen Karbiener reconstructs the story of the poetic cluster's creation and destruction. Walt Whitman's reassembled, reinterpreted Live Oak, With Moss serves as a source of inspiration and a cause for celebration.

The book features a significant collection of Walt Whitman's works, including the complete 1855 Preface to Leaves of Grass and the original text of "Song of Myself." It also encompasses the "Live Oak, with Moss" sequence and selections from the 1881 edition, alongside early and late prose. Additional materials include 19th-century reviews, illustrations of Whitman's design choices for various editions, and portraits of the author, providing a comprehensive view of his literary contributions and artistic vision.

“I am large, I contain multitudes” A Penguin Classic When Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but many critics believe that the book that matters most is the 1855 original. Penguin Classics proudly presents that text in its original and complete form, with an introductory essay by the writer and poet Malcolm Cowley. “I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This book is the first to offer a comprehensive selection of Walt Whitman’s Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman’s writing about the Civil War develops, shifts, and manifests itself in different genres throughout the years of the war. The book offers forty selections of Whitman’s war writings, including not only the well-known war poems but also his prose and personal letters. Each are followed by Folsom’s critical examination and then by Merrill’s afterword, suggesting broader contexts for thinking about the selection. The real democratic reader, Whitman said, “must himself or herself construct indeed the poem, argument, history, metaphysical essay—the text furnishing the hints, the clue, the start or frame-work,” because what is needed for democracy to flourish is “a nation of supple and athletic minds.” Folsom and Merrill model this kind of active reading and encourage both seasoned and new readers of Whitman’s war writings to enter into the challenging and exhilarating mode of talking back to Whitman, arguing with him, and learning from him.

This collection contains the poetic works of Walt Whitman. These poems reflect the vitality of a new nation and the vastness of its lands. They combine autobiographical, sociological and religious themes but did not conform to previous genres.

This is a collection of Whitman's sexually and emotionally daring poetry, which challenged his Victorian readers and is still as lively and potent today.

The works of 6 great American poets are represented in this attractive box set. Included are Poe's The Raven and Other Favorite Poems, Dickinson's Selected Poems, Whitman's Selected Poems , Frost's A Boy’s Will and North of Boston, Longfellow's Favorite Poems and Millay's Renascence and Other Poems . A wonderful gift for any lover of poetry.

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Presents twenty-four poems from "Leaves of Grass," including "I Hear America Singing," "I Sing the Body Electric," and "O Captain! My Captain!"

Walt Whitman's invaluable notebooks have been virtually inaccessible to the public, until now. Maintaining the early notebooks' wild, syncretic feel and sample illustrations of Whitman's beautiful and unkempt pages, Zachary Turpin and Matt Miller's thorough transcriptions have made these notebooks available to all.

Whitman threw down a challenge to the genteel readers of Tennyson's and Longfellow's work through poems of sexual and emotional daring. This book contains both text and commentary.

Celebrating love, friendship, democracy, and nature, this collection showcases the profound introspection and self-exploration of one of America's most revered poets. Known for pioneering free verse, the author emphasizes the beauty of individuality and the potential of the American spirit. His use of the first-person perspective adds depth, making his verses resonate across generations. The enduring appeal of his work invites readers to discover appreciation for life's beauty and the achievements of democracy.

Presents the full text of the inspirational poem that had introduced the iconic poet to the world.

Though well-known to many Whitman scholars, Specimen Days is an underrated 'late' prose work which chronicles the life of one of the world's best loved and most influential poets.

Ahead of all poets, pioneering into the wilderness of unopened life. Whitman ... His wide, strange camp at the end of the great high-road. Donald Hall s selection of Whitman s verse contains all the essential poems. ' . . his extremely helpful introduction is both stimulating and thought-provoking and would certainly encourage a new reader. ... In general this is an excellent anthology; a poet himself, Mr Hall speaks with insight and enthusiasm of Whitman s art. Susan M. Cockcroft in the Journal of American Studies. 1979, 176 pages of poetry, 5 by 7 1/4"

This is probably the most notable of all regional books about New York and Long Island. It is the work of Walt Whitman, and its pages reveal the serious professional journalist, and not seldom the poet, writing brave things in prose.The editor comments in his introduction, "Whitman, though a native of the New York area, loved it and wrote of it with the zeal and zest usually found only in those from elsewhere who have made New York their chosen home." Indeed, he lived in the region for the first forty-two years of his life; successfuly edited newspapers in Brooklyn, Manhattan, and Long Island; and wrote for many years following. The articles collected in this volume by Henry M. Christman were conceived as a book by their author but appeared in a series entitled "Brooklyniana" that appeared in the Brooklyn Standard . All bear the impress of Whitman's humanity and show the breadth of his interest in "the great play of life and business going on around us."

In a series of thirteen newspaper installments, written in 1858 under the pseudonym Mose Velsor, American poet Walt Whitman, adopted the role of advice columnist and dispensed tips on men's health. Includes poetry and Victorian line drawings.

Engaging deeply with the American Civil War, this collection of poems captures both the emotional and physical toll of conflict. Whitman celebrates the resilience and spirit of the American people, offering an affirmative and poignant reflection on the experiences of war. Published in the mid-19th century, the work stands as a testament to the era's struggles and triumphs.

"For I believe that climate does thus react on man — as there is something in the mountain air that feeds the spirit and inspires. Henry David Thoreau's Walking began as a lecture in 1851 and ultimately appeared in The Atlantic Monthly in 1862, shortly after the author's death. The impassioned essay, which praises the merits of time spent in nature, has become one of the most influential works of the modern environmentalist movement. Thoreau's view of walking in nature as a self-reflective activity invites readers to embark on their own ramble in order to gain a "wild and dusky" self-knowledge unattainable elsewhere. Americans felt the pressures of a changing world even in the relatively slow-paced 1800s, and Thoreau proposed balancing social stress with unhurried wanderings in fields and woods. His writings, from Civil Disobedience to Walden, remain popular because of their enduring relevance, and Walking bears a special resonance for modern readers who may have become disconnected from the natural world.

'All nations, colors, barbarisms, civilizations, languages...' A selection taken from Walt Whitman's Leaves of Grass Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Walt Whitman (1819-1892). Whitman's works available in Penguin Classics are Leaves of Grass and The Complete Poems.

When presented in selected or collected editions, Whitman’s tiny poems most often get lost on the page, folded in and camouflaged by the longer poems, or crowded—two or three or four per page— as a space-and-paper-saving device (I’ve always believed that the broadside is the best medium for one poem on one page, allowing the poem breathing room, its full accord, and our full attention). Our hope with Invisible World is to gather a sampler of Whitman’s small poems without the visual distraction of the longer poems—to set aside, for the time being, the familiar and signature long poems of Whitman—in order to offer some of his tiny poems room of their own to breathe on the page, to escape the claustrophobia of the book, and allow them to luxuriate in the white space that surrounds them, so that each poem stands alone for a brief moment and garners the reader’s full attention.

Highlighting the finest long poems by a celebrated American poet, this collection showcases the depth and breadth of Whitman's work. Readers can explore themes of individuality, nature, and the human experience, reflecting his unique style and profound insights. This selection serves as an essential introduction to Whitman's literary legacy, capturing his innovative use of language and form.

Walt Whitman, an influential American poet and journalist, played a pivotal role in the shift from transcendentalism to realism, blending both philosophies in his writing. Notably recognized as the father of free verse, his poetry collection Leaves of Grass sparked controversy due to its explicit sensuality. Additionally, his personal life faced criticism, particularly regarding his presumed homosexuality, reflecting the societal tensions of his era. Whitman's legacy continues to resonate in American literature, marking him as a significant literary figure.

Celebrating individuality and democracy, this extensive collection features nearly 400 poems by Walt Whitman. It explores themes of nature and the human body, reflecting the poet's profound connection to the world and his belief in the inherent worth of each person. The work is a cornerstone of American literature, showcasing Whitman's innovative style and deep philosophical insights.

This book is a reproduction of a historical work, produced by the publishing house Megali, which focuses on large print editions to enhance accessibility for readers with impaired vision. The initiative highlights a commitment to making literary heritage available to a broader audience, ensuring that important texts remain accessible and enjoyable for everyone.

The correspondence between Walt Whitman and Anne Gilchrist reveals a profound literary relationship sparked by her admiration for his work, particularly "Leaves of Grass." Gilchrist's initial letter expresses her delight and gratitude, leading to a collection of letters that showcase her admiration, often elevating Whitman to a godlike status. Most letters are from Gilchrist, with some responses from Whitman and notes from her children, reflecting a unique blend of fan devotion and critical engagement initiated by Gilchrist's essay defending Whitman's poetry.

This publication focuses on making historical works accessible through large print, catering specifically to individuals with impaired vision. By prioritizing readability, the Megali publishing house aims to preserve and share important texts while ensuring that a wider audience can enjoy them comfortably.

Walt Whitman, an influential American poet and journalist, played a pivotal role in the evolution of poetry, bridging transcendentalism and realism. Known as the father of free verse, his celebrated collection, Leaves of Grass, sparked controversy due to its bold sensuality. Alongside his literary contributions, Whitman's life faced public scrutiny, particularly regarding his sexuality. His works continue to resonate, reflecting his humanist ideals and challenging societal norms of his time.

This book is a reproduction of a historical work, published by Megali, a company dedicated to making literature accessible for individuals with impaired vision through large print editions. The focus on readability ensures that important historical texts can be enjoyed by a wider audience, preserving the original content while enhancing accessibility.

The narrative follows Franklin Evans, an innocent young man from Long Island who moves to New York City in search of a better life. His journey quickly spirals as he befriends the influential Colby, leading him down a path of alcoholism. Despite multiple attempts to quit drinking, it takes the tragic loss of his two wives for him to confront his addiction. This tale explores themes of personal growth and the harsh realities of life, showcasing the struggles and lessons learned through Franklin's mistakes.

This work is a reproduction of a historical text, presented in large print to enhance accessibility for individuals with impaired vision. Megali, the publishing house behind this edition, focuses on making significant historical works more readable, ensuring that a broader audience can engage with important literature.

The book is a reproduction of a historical work, produced by Megali, a publishing house dedicated to making literature accessible for individuals with impaired vision through large print editions. This initiative emphasizes inclusivity and the importance of preserving historical texts for wider audiences.

The first edition of "Leaves of Grass" was published by Whitman in 1855, featuring twelve untitled poems. Over the decades, he revised and expanded it into a celebration of nature, love, friendship, and the New World. Ralph Waldo Emerson praised it as America's most extraordinary work of wisdom and wit.

Presents Whitman's classic poem celebrating himself and the American experience.

Library of Cassic Poets. 2001 190, 255, 223, 224 S., Gr.-8°, Hardcover Random House,

Ein berührendes, erregendes Buch, das uns spüren lässt, was es heißt, lebendig zu sein »Specimen Days«, »Besondere Tage« nannte Walt Whitman seine Sammlung autobiographischer Texte. Ihr Herzstück sind seine Erlebnisse während des Amerikanischen Bürgerkriegs. Drei Jahre lang zieht Whitman durch die Lazarette Washingtons, lauscht den Erzählungen der Verwundeten, ihren Hoffnungen und Ängsten, und gibt seelischen Zuspruch – ein erschütterndes Zeugnis jener Seite des Krieges, die nicht in die Geschichtsbücher Eingang findet. Dazu gesellen sich Erinnerungen an die Kindheit und Naturbeschreibungen. Der Duft von Heu, das sanfte Gebrumm der Hummeln, die Luftsprünge der Schwalben, die letzten Strahlen der untergehenden Sonne über dem Teich: eine Quelle des Friedens und des Glücks, worin die menschliche Existenz eingebettet erscheint. Mit einem Essay von Rainer Wieland.

En las páginas de esta colección que contiene poesías de este gran escritor el lector puede paladear y saborear sus versos como un vino viejo, llenos de aromas y de recuerdos. La poesía viva de Whitman es como un rayo que te atraviesa el ser que la lee y deja de ser el mismo, llega tan adentro que genera un impulso al lector, trasmite energía. Agrada el comienzo de este libro con versos como Canto el yo que refleja la personalidad del escritor. El poeta se refiere temas políticos en gran parte de su obra, denunciando la extensión de la esclavitud, dedicando cantos y poemas a personalidades como Abraham Lincoln en su poema que es el título de este libro ¡Oh, capitán! ¡Mi capitán!. Otro momento singular de este libro es el bello poema Canto a mi mismo, donde se refleja la utilización de la persona narrativa del autor, el cual se vislumbra como el poeta común sensibilizado y comprometido con la sociedad. Resulta acogedora la lectura de este libro, maravilla de la poesía, que arrastra a los lectores a hacer de Whitman un poeta de cabecera.

Incluye:Hojas de hierba,Días cruciales en América

Walter Whitman gilt als einer der bedeutendsten amerikanischen Lyriker des 19. Jahrhunderts, dessen Hauptwerk "Grashalme" einen tiefgreifenden Einfluss auf die amerikanische Lyrik hatte. In diesem Werk nutzt er überwiegend freie Verse, um seine Gedanken und Gefühle auszudrücken. Die Edition gehört zur Reihe der Werke der Weltliteratur und hebt die zeitlose Relevanz von Whitmans Poesie hervor.

Walt Whitman's long-forgotten poetry cycle explores love between men and the connections between humans and nature. This bilingual edition marks its first appearance in book form. "The idea of presenting this work as a unit is just great." (Walter Grünzweig)

"AMERIKA" reflects on the acceptance of the past, acknowledging its influences from politics, caste systems, and old religions. It teaches the lesson of patience, recognizing that remnants of past opinions and literature still linger as life evolves into new forms.

"Er ist Amerika", sagte Ezra Pound über den Dichter Walt Whitman. In seinen "Grasblättern" besingt er den Aufbruch der USA nach dem Bürgerkrieg. Der Lyriker Jürgen Brôcan hat dieses zentrale Werk der amerikanischen Literatur mehr als ein Jahrhundert nach Erscheinen erstmals vollständig auf Deutsch übersetzt und mit einem Nachwort und einem ausführlichen Kommentar versehen. Im Schmelztiegel seiner Dichtung vereint Whitman Ideen aus Kultur, Gesellschaft, Politik, Wissenschaft und Mystik seiner Zeit. Seine Gesänge sind Abbild und Vision einer modernen Nation der "Vereinigten Staaten", die Spaltungen überwinden und allen Menschen Freiheit und Gleichheit bringen soll.

Spanish translation of "Leaves of grass" by the American poet.

„Ein unbekannter Roman Walt Whitmans, der ein multikulturelles Amerika preist – eine Weltsensation zur rechten Zeit.“ Wieland Freund Humorvoll-lakonisch erzählt Walt Whitman eine klassische Aufstiegsgeschichte in der Tradition des großen Charles Dickens, allerdings in der Neuen Welt, mitten in New York. Er schildert die Schattenseiten der rasant wachsenden Metropole, verschweigt weder das Elend der Notleidenden noch die Korrumpierung derer, die an der Wall Street zu schnellem Geld gekommen sind. Doch vor allem feiert er in seinem „Jack Engle“ uramerikanische und urdemokratische Tugenden: den Glauben an den unveräußerbaren Glücksanspruch des Einzelnen, die Zuversicht und den Pioniergeist der kleinen Leute, ihren Mut zur Improvisation und nicht zuletzt die alles überragende Leitidee der Einwanderernation – sich gemeinsam, ohne Ansehen von Herkunft, Stand oder Religion, aufzumachen in eine bessere Zukunft.1852 als Fortsetzungsroman im „Sunday Dispatch“ erschienen und erst 165 Jahre später als Schöpfung Walt Whitmans identifiziert – ein kleines Wunder der Weltliteratur! 2017 ist sie erstmals in deutscher Übersetzung zu entdecken, die Lebensgeschichte eines Waisenjungen, der auf den Straßen New Yorks lernt, sich mit Fäusten, flinker Zunge und viel Köpfchen zu behaupten. Keine ganz gefahrlose Sache in diesem brodelnden Eldorado der Überlebenskünstler aus aller Herren Länder ...

Cyklus dvanácti básní Walta Whitmana nazvaný Virginský dub obrostlý mechem vychází v původní podobě poprvé. Přeložila Sylva Ficová.

Kniha Listy trávy je první český překlad původního vydání Leaves of Grass (1855) Walta Whitmana. Obsahuje i pasáže, které v pozdějších vydáních sám básník vyškrtal nebo poupravil. Vůbec poprvé si tu český čtenář může přečíst i Whitmanovu rozsáhlou předmluvu, proslulý a vlivný poetický manifest. Samotnou básnickou sumu otevírá rozsáhlá skladba ve vydání poslední ruky pojmenovaná jako Zpěv o mně (Song of Myself), nejpoetičtější, nejpropracovanější a zároveň nejaktuálnější text Listů trávy. Následuje jedenáct dalších skladeb. Silně humanistický a všeobjímající Whitmanův étos vstupuje v době narůstající xenofobie do nových souvislostí. Současný překlad amerikanisty a písňového folkloristy Ondřeje Skovajsy a spisovatelky a muzikantky Hany Lundiakové hledá adekvátní protějšek k Whitmanovu hlasu. Snaží se zachytit lahodnost svobody a rozkoš existence. Dnes už netřeba cenzurovat spermaticky uvolněné Whitmanovy zpěvy a živelný křik, je třeba je spíše zdůraznit. Jako horizont, odkud jsme vyšli a kam směřujeme.

Nový výbor z jediné, ale rozsáhlé Whitmanovy sbírky (396 básní), kterou autor postupně vydal v sedmi edicích, přičemž do každé z nich byly přidány další nové básně. Básně v tomto výboru byly přeloženy z Complete Poetry & Selected Prose and Letters.

U příležitosti stodesátého výročí básníkova úmrtí představuje Mirek Kovářík Walta Whitmana jako básníka po výtce erotického.

Výbor z básní Walta Whitmana. Z angl. za jazykové spolupráce Mariany a Zdeňka Stříbrných přel. doslov napsal Ivan Skála. Klub přátel poezie, výběrová řada.

Výbor ze Stébel trávy, vybral a přeložil Pavel Eisner.

Po prvé u nás vůbec vychází sbírka Whitmanových nejdůležitějších článků o poesii, národní kultuře a jazyku. Je to výběr úryvků z jeho rukopisných záznamů, z poznámek k přednáškám, z předmluv a essayů, uspořádaný v chronologickém pořádku tak, aby podal obraz vývoje whitmanovyestetiky. Tyto kritické projevy velikého básníka svědčí o jeho úsilí probojovat se z mlh idealismu a dosáhnout břehů moderní materialistické, pokrokové a internacionalistické poesie. (Podle předmluvy) Výběr úryvků z rukopisných záznamů, předmluv a essayů uspoř. a předmluvou opatřil Abe Čapek.

Letos uplyne celé století od prvního vydání Whitmanových Stébel trávy, tohoto širokého a všeobsáhlého zpěvu, který přinesl nové tóny celé světové poesii. A z té doby zůstalo málo básnických děl tak živých a tak mladých, tak nepřetržitě revolučních, jako je právě tento Zpěv o mně. (úryvek z doslovu - Jiří Valja, 1955)

Nazváno podle sbírky básní Walt Whitmana "Leaves of Grass" Výbor z básní a próz klasika americké literatury W. Whitmana (1819-1892). Whitman chtěl vytvořit ve svých Stéblech trávy píseň prostých lidí a jejich denní práce, píseň vesmírného demokratického soudružství. Jeho průkopnickédílo básnické, psané většinou volným veršem, rozšířilo nesmírně obzory poesie a zároveň demokratisovalo její thematiku. I když je ideologicky nejednotná a má umělecky nestejnou hodnotu, je Whitmanova poesie stále živá a také nám má co říci. Kypí v ní mládí světa a vře oheň jarých sil. Kniha vychází v novém básnicky působivém překladu sto let po prvním vydání Stébel trávy (1855-1955). Toto jubileum vyhlásila Světová rada míru za jedno z velkých kulturních výročí tohoto roku.

O obsahu Ukážkových dní (Whitmanov denník) možno povedať asi toľko, že je to bohatá a pestrá zmes spomienok, dojmov, zážitkov, príhod, pozorovaní, úvah, správ týkajúcich sa aj samého autora, ale i amerického života vôbec. Dominuje medzi nimi súbor zápiskov z občianskej vojny Severu proti Juhu. S otriasajúcimi vojnovými zážitkami príkro, no šťastne kontrastujú idylické obrázky prírodných zákutí. Trochu iné sú jeho cestopisné črtyz putovania po americkom Západe a po Kanade. Spolu tieto príbehy tvoria kostru akejsi biografie, ako sa to ukazuje na začiatku knihy.