Mike Kelley Books

The narrative centers on a Christian writer whose life experiences and spiritual journey shape his storytelling. Originating from Kentucky, he embraces traditional storytelling methods while drawing inspiration from his global travels. His writings, infused with personal and divine influences, reflect a deep connection to his faith. Educated at Old Dominion University and William and Mary, he believes his true education comes from life and divine guidance. Currently, he resides in Cincinnati with his wife, Susan, where he continues to create.

Set against the backdrop of the Ohio and Mississippi rivers, a diverse group of misfits embarks on a journey to New Orleans aboard The River Shadow. The crew includes a dreamer, a free-spirited woman, a musician, a dwarf woodcarver, and a heroic dog named Hook. As they navigate the challenges of the river and confront their pasts, they forge deep bonds, transforming into a family. Their adventure is filled with danger and camaraderie, echoing the spirit of classic tales like Tom and Huck. Discover the reasons behind the river's cries in this captivating historical novel.

A View from the Top showcases a curated selection of photography aimed at documenting the Viewpoint Collection. This unique body of work captures diverse perspectives and artistic expressions, emphasizing the significance of visual storytelling through the lens of various photographers. The collection serves not only as an artistic endeavor but also as a historical record, reflecting the evolution of photography and its impact on the viewer's experience.

The narrative offers a compelling glimpse into the author's experiences as a British expatriate over more than twenty-seven years in some of the world's most radical countries, such as Libya, Yemen, and Sudan. Through personal anecdotes and reflections, the author explores cultural contrasts, political upheaval, and the challenges faced while living in these tumultuous environments, providing readers with a unique perspective on life in regions often misunderstood.

The narrative explores a profound spiritual experience where the author recounts being awakened by the voice of Jesus. This encounter leads to a transformative journey of faith and self-discovery, delving into themes of divine communication and personal awakening. Through vivid descriptions and emotional reflections, the author shares insights gained from this powerful moment, inviting readers to contemplate their own spiritual beliefs and connections. The book serves as both a memoir and a guide for those seeking deeper understanding and faith.

This collection is designed to engage readers and provoke thoughtful reflection. It offers a range of content aimed at both entertainment and intellectual stimulation, encouraging exploration of various ideas and themes throughout its pages.

Jacques Gendron embarks on a quest to understand the violence associated with Radical Islam, driven by a personal encounter with its brutal reality. His investigation reveals shocking and unsettling insights into the motivations behind religious extremism, challenging preconceived notions about faith and conflict. The journey exposes the complexities of belief systems and the dark undercurrents that fuel violence in the name of religion, ultimately prompting readers to confront uncomfortable truths about humanity and spirituality.

Mike Kelley's 'Memory Ware' series, created in the early 21st century, critically explores personal and collective memory through approximately one hundred works. This catalogue, produced for the Hauser & Wirth exhibition, includes a scholarly essay by Ralph Rugoff that analyzes the series from visual and art historical perspectives. Additionally, Kelley's own essay provides insight into his artistic process and concepts. Together, these elements allow for a comprehensive appraisal of Kelley's impactful contributions to contemporary art.

Seminal Los Angeles-based artist and writer Mike Kelley has said, looking back on his career, "I didn't want to be a rock musician; I wanted to be an artist. And I think the reason I chose it was that at that time it was the most despicable thing you could be in American culture... I came from a milieu in which artists were despised, whereas rock musicians and drug dealers were, you know, hipster culture heroes." Along with a selection of essays (including several by Kelley on his individual works), an extensive checklist and a glossary, this volume compiles 40 of the artist's key pieces from the last three decades from the discriminating and influential collection of Ingvild Goetz, who opened her first gallery in 1969 with groundbreaking exhibitions of leading Arte Povera artists, as well as Andy Warhol, Arakawa, Bruce Nauman, Jurgen Klauke, Jochen Gerz and Cy Twombly.

Taking Freud's idea of the Uncanny as a starting point, artist Mike Kelley plays Sunday curator and presents work by Jasper Johns, Paul McCarthy, Jeff Koons, Tony Oursler, and others (reprinted from a 1993 catalogue), plus photos of chewing gum wrappers, postcards, record covers, and toys, all connected to ideas of youth and the Uncanny.