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James Clifford

    James Clifford is a historian whose work deeply engages with culture, anthropology, and history. His critical examination of ethnography and the ways cultures and traditions are recorded and represented has sparked significant debates across the humanities. Clifford's influence lies in his ability to connect theory with art, literature, and travel, offering novel perspectives on cultural exchange and identity in a global context. His approach encourages readers to reflect on the complexities of cultural understanding.

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    Writing Culture
    Formal Semantics and Pragmatics for Natural Language Querying
    • The book explores the intersection of database semantics and natural language semantics, emphasizing the importance of a coherent theory of time semantics for enhancing database models. It begins with an analysis of database querying through Montague Semantics and intensional logic. The author introduces the Historical Relational Data Model (HRDM), which incorporates a temporal dimension, and defines the database querying language QEHIII, supported by practical examples. Additionally, a formal model for interpreting questions is established, laying the groundwork for future research.

      Formal Semantics and Pragmatics for Natural Language Querying
    • Writing Culture

      The Poetics and Politics of Ethnography

      • 345 pages
      • 13 hours of reading

      In these new essays, a group of experienced ethnographers, a literary critic, and a historian of anthropology, all known for advanced analytic work on ethnographic writing, place ethnography at the center of a new intersection of social history, interpretive anthropology, travel writing, discourse theory, and textual criticism.The authors analyze classic examples of cultural description, from Goethe and Catlin to Malinowski, Evans-Pritchard, and Le Roy Ladurie, showing the persistence of allegorial patterns and rhetorical tropes. They assess recent experimental trends and explore the functions of orality, ethnicity, and power in ethnographic composition. "Writing Culture" argues that ethnography is in the midst of a political and epistemological crisis: Western writers no longer portray non-Western peoples with unchallenged authority; the process of cultural representation is now inescapably contingent, historical, and contestable. The essays in this volume help us imagine a fully dialectical ethnography acting powerfully in the postmodern world system. They challenge all writers in the humanities and social sciences to rethink the poetics and politics of cultural invention.

      Writing Culture
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      Über die Entstehung ethnologischen Denkens

      • 223 pages
      • 8 hours of reading

      Was in den 80er Jahren eine erschütternde Erkenntnis in der Ethnologie war, ist heute Konsens: Jede Ethnographie handelt ebenso sehr von "uns" wie von "denen", deren Welt untersucht wird. Aber was genau fließt in die ethnologische Schrift ein? Nicht zuletzt sind es persönliche Lektüren: Kein Text ist ohne andere Texte denkbar. Für den vorliegenden Band trat die Redaktion der Edition Trickster an 22 Ethnolog:innen mit der Frage heran: "Welcher Text hat dein Denken geformt?" Die Antworten waren unerwartet vielfältig. Die Autor:innen beschreiben in sehr persönlichen Texten, wie bestimmte Filme, Ethnographien, Graphic Novels, ein akademischer Aufsatz oder ein Gedicht diesen "Aha-Moment" ausgelöst haben, der sich formativ auf ihr ethnologisches Denken ausgewirkt oder gar ihren Lebensweg verändert hat und auf den sie seitdem immer wieder zurückkommen. Abseits der wissenschaftlichen Reflexion ist diese Anthologie eine Lesefreude, die zum Nachschlagen, Stöbern und Genießen anregt - Inspiration eben!Mit Beiträgen u.a. von Donna Haraway, James Clifford, Kirin Narayan und Tim Ingold.

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