Maurizio Ferraris Books

The book introduces a novel framework for discussing social phenomena by focusing on the ontology of social objects, emphasizing the importance of registration or inscription as fundamental to their existence. It systematically organizes various concepts and theories, providing a fresh perspective on how social objects are created and understood through the traces they leave behind. This approach invites readers to reconsider traditional views of social interactions and the implications of recorded information in shaping our understanding of society.

Focusing on the intersection of law and philosophy, this collection of essays examines how various forms of currency, from paper to digital signals, are perceived as valuable. It delves into the underlying conditions and societal agreements that confer worth to these objects, prompting readers to rethink the nature of money and its role in society.

Retraces the history of postmodern philosophy and proposes solutions to overcome its impasses. Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris’s Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris’s manifesto—which sparked lively debate in Italy and beyond—offers a wiser realism with social and political relevance. “In the new atmosphere of Anglophone continental thought, realism is not just a viable option but is arguably home to the most promising innovations of our time. Ferraris will serve as a welcome new influence.” — from the Foreword by Graham Harman

This work offers a deep and unconventional analysis of Kant's most significant contribution to philosophy. It explores the intricate ideas and concepts presented in his magnum opus, providing insights that challenge traditional interpretations. The author engages with Kant's arguments, examining their implications and relevance in contemporary thought, making it a compelling read for both scholars and enthusiasts of philosophy.

Critiquing Immanuel Kant's transcendental philosophy, Maurizio Ferraris reintroduces the significance of the external world in modern philosophy. His work, divided into two parts, first establishes the foundations of his New Realism, aligning with the 21st-century realist movement. The latter section presents a comprehensive metaphysical theory centered on hysteresis, illustrating how effects persist beyond their causes. Ferraris, a prominent figure in theoretical philosophy, is also the President of Labont, Center for Ontology, with translation by Sarah De Sanctis.

This book explores the transformative impact of technology on humanity, emphasizing that human roles must evolve alongside automation. It argues that while machines can replace many functions, humans still hold value beyond production. The author envisions a "Webfare" system to foster tolerance and redefine human needs in this new era.

Celebrating the eponymous Moleskine travelling exhibition which, since 2006, has showcased, in various cities around the world, a unique collection of more than 250 Moleskine notebooks that have been decorated, hacked, and sketched, delivering an intimate insight into the authors' creative process and showing the endless possibilities that arise from using paper. It includes works by Ron Arad, Martì Guixé, Ross Lovegrove, Karim Rashid, Zhang Yuan, Italo Rota, Toyo Ito and many more. Edited by Raffaella Guidobono. Presented today in a lighter format with updated information and a whole new section. The largest selection of decorated Moleskine notebooks ever published.

In "A Taste for the Secret," Derrida engages in dialogues exploring themes like genesis, justice, and singularity, blending autobiography with philosophy. The second half features an essay by Maurizio Ferraris, delving into indication and transcendentalism, providing insights into both Derrida's thought and broader philosophical discourse.