Joachim Frenk Book order

Early modern literature, in search of stable orders of things in a time of drastic changes, is teeming with material objects, the stuff of everyday life. Thus, it gives access to „great topics“ of the early modern age, such as the rapidly emerging and mutating capitalism, the provisional and shifting constructions of literary subjects in relation to the objects around them. This study traces the cultural biography of a material object, the most splendid edifice built in Elizabethan London: the Royal Exchange. It then analyses the rhetorical materialisations of the sonneteering vogue, with a special emphasis on the material history of the English sonnet between a manuscript and a print culture. Its last main object is Shakespeare's Falstaff, whose massive body and powerful rhetoric are centres of early modern material orders and subversions, both in the histories and in the comedy of the 'Merry Wives'. A conclusion applies the findings to the (im)material rhetoric of Thomas Nashe.

James Bond is one of the best-known cultural icons of the global entertainment industry. A sizable share of the world's population has seen at least one Bond film, and the products of the Bond franchise have become ubiquitous in popular culture. This success is partly due to the fact that Bond has developed nothing short of his own cultural mythology. Its name is also Bond: 'James Bond', in inverted commas. The collection of essays in this volume investigate into the cultural, historical, political and economic aspects of that mythology. Bond's iconic status today may well hide the fact that over the years, 'James Bond' has acquired very different meanings in a variety of contexts and in different cultures. Since his first appearance in 1953, Bond has developed into a protean cultural phenomenon entangled in the histories of Western cultures, and he has provided a screen onto which the heterogeneous desires of nationally, culturally and socially diverse readers, viewers, users and consumers have been projected. The book approaches the Bond phenomenon as a contested element of the cultures that both created him and that he helped to create. The contributors discuss James Bond's multiple meanings from a historicizing cultural studies perspective in six key areas of Bond scholarship: (inter)medialities, narrative and genres, identities, gender, space and tourism, and intertexts.