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Karin Sagner

    January 1, 1955
    Schöne Frauen
    Monet and modernism
    Women Walking: Freedom, Adventure, Independence
    Renoir
    Monet at Giverny
    Claude Monet 1840-1926: a feast for the eyes
    • 2017
    • 2006

      Claude Monet (1840-1926) was both the most typical and the most individual painter associated with the Impressionist movement. His long life and extraordinary work were dedicated to a pictorial exploration of the sensations. This book traces the life's work of one of art history's most beloved painters.

      Claude Monet 1840-1926: a feast for the eyes
    • 2001

      Monet and Modernism Edited by Karin Sagner- Duchting This beautifully illustrated volume examines the lines of influence leading from Monet to the great modern exponents of Abstract Expressionism. The book emphasizes the innovative aspects of Monet ’s late works, including his famous water lily paintings and Rouen Cathedral series. His paintings are juxtaposed with those of 25 modern artists, including Jackson Pollock, Mark Rothko, Barnett Newman, Clyfford Still, and Ellsworth Kelly. ExhibitionsKunsthalle der Hypo- Kulturstiftung, Munich (23 November 2001- 10 March 2002)Fondation Beyeler, Basel, Switzerland (28 March 2002- 30 July 2002)

      Monet and modernism
    • 1999

      Monet at Giverny

      • 118 pages
      • 5 hours of reading
      4.4(10)Add rating

      In May 1883 the French Impressionist painter Claude Monet settled with his family in Giverny, a small village on the Seine northwest of Paris. There, amidst the romantic garden landscape that Monet himself helped to design - including his own house and studio, greenhouses, ponds, and a Japanese-style bridge - the most fascinating and mature works of his last forty years came into being. In this volume Sagner-Duchting examines three important series that Monet painted in the immediate vicinity of Giverny: the Grain Stacks, the Poplars, and the Early Morning on the Seine series. In addition to providing a fascinating look at the influence of Giverny and its surroundings on his work, the author discusses Monet's innovative "open form, " exemplified by the paintings in his famous Waterlilies series. With these late works, Monet diverged from traditional pictorial ideas and came to be recognized as a pioneer of modern art.

      Monet at Giverny
    • 1996

      Renoir was enchanted by the romance of Paris in dappled sunshine. His sensuous paintings bear witness to his delight in the young female form and in lively scenes of people meeting, dancing and talking. His delicate and distinctive brushwork conveys the shimmering brilliance of light and color, reflecting the optimism of la Belle Epoque. Renoir: Paris and the Belle Epoque demonstrates how the vibrancy of Paris was probably the single most important influence on the artist's life and work. It illustrates and examines Renoir's exquisite nudes and portraits of young girls, as well as his plein-air paintings, many inspired by the celebrated cafe-dansant in Montmartre, Le Moulin de la Galette, and the terrace of La Grenouillere, a bathing area on the Seine.

      Renoir