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Walter Niedermayr

    Walter Niedermayr, coesistenze, Koexistenzen
    Recollection
    Mose
    The Aspen series
    Walter Niedermayr - Reservate des Augenblicks, Momentary resorts
    Walter Niedermayr / Kazuyo Sejima + Ryue Nishizawa/ Sanaa
    • 2013

      The Aspen series

      • 120 pages
      • 5 hours of reading

      Shifting perspective from the Alps to the Rocky Mountains Walter Niedermayr (*1952) has worked in alpine regions around the world since the late eighties, using his camera to explore the issues surrounding the presence and interference of people in these sensitive landscapes. In winter 2009 he was invited to Aspen, Colorado, where he created another of his Alpine Landscapes. In forty-two multipart photo and video works, the artist depicts the winter landscape of the ski resort in the Rocky Mountains. The work is marked by the beautiful illusion of the ski resort Aspen and the wintry mountain world surrounding it. Yet at the same time the visual sequences reflect upon their own reality, which the artist reveals through the medium of photography. For one, they feature snowy landscapes, recreation centers, and sophisticated, tourist-oriented urban spaces, while touching upon the limitations of the representational. This publication falls in alongside works inspired by the vision of the architectural team Sanaa as well as the series devoted to Iran (Recollection). Publisher's note.

      The Aspen series
    • 2007

      German Photo Book Award, 2008.This large-format volume is the first to document the long-term collaboration of Italian photographer Walter Niedermayr (*1952) and Tokyo architects Kazuyo Sejima (*1956) and Ryue Nishizawa (*1966), who operate under the name SANAA. Niedermayr is especially known around the world for his photographs of pale alpine…

      Walter Niedermayr / Kazuyo Sejima + Ryue Nishizawa/ Sanaa
    • 1998

      The alpine summits captured in photographer Walter Niedermayr's works are neither picturesque nor scenic but instead overrun by the products of mass tourism -- ski lifts, mountaintop cafes, etc. The result is a sense of disorientation, in which the artificial markings of people have changed the scenery perhaps irrevocably. Like Andreas Gursky, Niedermayr reveals the ways in which nature is usurped by human infiltration.

      Walter Niedermayr - Reservate des Augenblicks, Momentary resorts