Transnational American Studies have been developed by international and internationally minded scholars to address the need for border-crossing awareness, knowledge and consciousness of difference. In a decisive change from the comparativist pattern of investigation between two or more assumed units, the transnational approach intends a further opening of cultural systems. With their transnational turn, the focus of American Studies has become relocated to increasingly international and global concerns of knowledge production and cultural transfer as well as to multi- and transnational discourses. This volume combines Transnational American Studies from diverse angles in the four general areas “Repositioning the American South”, “Life, Literature, Ecocriticism”, “Life Writing and Medicine” and “Critical Studies of the Nation”. Written by scholars disciplinarily and institutionally linked to American Studies departments mainly, the themes are, however, not restricted to American Studies as a nationally bound field, but extend and pertain to transnational and global discourses and their conceptual composition and processing.
Nadja Gernalzick Books


Temporality in American filmic autobiography
Cinema, Automediality and Grammatology with ‘Film Portrait’ and ‘Joyce at 34’
- 510 pages
- 18 hours of reading
Drawing on grammatology, historical semantics and discourse theory, ‘Temporality in American Filmic Autobiography’ treats automediality in semiotic materiality and transmediality as processuality and relationality of agency at an intersection of auto/biography studies, film studies and media studies, reviews concepts of time in philosophy, sociology, cinema studies and narratology, and applies critical vocabularies of temporality and temporalization in an extended analysis of two classics of 1970s American filmic autobiography, ‘Film Portrait’ by Jerome Hill and ‘Joyce at 34’ by Joyce Chopra and Claudia Weill. The study of film, time and self-processing develops the grammatology of cinema from contemporary positions on cinematic semiosis, temporality, and contingency, filmic and postfilmic cinema, documentary-style film, deixis across media, and the trace as critical vocabulary. Among supplementary tables, a chapter offers an overview of the canonization and transnationalization of cinematic autobiography in anglophone research.