Julian Preece Book order

A pivotal film for new German cinema -- Political context in post-68 West Germany -- Heinrich Böll's novel, or how violence develops and where it can lead -- Words or guns? Katharina Blum's struggle for articulacy -- Influence and afterlives.

Günter Grass (1927-2015) was Germany's foremost writer for more than half a century, and his books were and remain bestsellers across the world. The Tin Drum was made into an Oscar-winning film in 1979 and the memoir Peeling the Onion in 2006 astounded readers by revealing that Grass had been drafted into the most criminal component of the Nazi war machine, the Waffen ss, in the closing months of the Second World War. He wrote memorably about the student movement, feminism and German reunification, and was a key influence on magic realist authors such as Gabriel García Márquez and Salman Rushdie, as well as the popular novelist John Irving. Grass redefined the role of 'literary commitment', campaigning as a citizen for the German Social Democrats and helping the anti-Nazi Willy Brandt become Chancellor in 1969. Günter Grass is the first biographical study in English of this Nobel Prize-winning writer. Julian Preece introduces Grass's key works and chronicles his interaction with major figures from literary and public life, including Chancellor Helmut Kohl and co-founder of the Red Army Faction Ulrike Meinhof, and places his fiction and public campaigning in the context of Cold War European politics and post- unification Germany.

Andreas Dresen is a leading European filmmaker whose oeuvre now spans three decades, including films such as Sommer vorm Balkon (Summer in Berlin, 2005). This collection of essays places him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR.

Addresses whether the collective entity known as Germany should more properly be conflated with the Federal Republic, with its successful sixty-five-year history ('the best Germany we have ever had'), rather than the 'nation' with all its tainted connotations and corrupted concepts such as 'Vaterland'.

Ilija Trojanow established his name as an international writer with the novel Der Weltensammler or The Collector of Worlds (2006). This volume contains an interview with Trojanow, a previously unpublished essay on Lessing's Nathan the Wise, and essays by European and North American scholars on central aspects of Trojanow's growing oeuvre.

The Baader-Meinhof Group and other violent underground organizations have provided material to many novels by leading German and international writers. This book is the first to examine this rich literary corpus, treating it as a political unconscious which expresses submerged anxieties and moral blind-spots in Europe's most powerful country.

In German-speaking Europe, as in other parts of the western world, questions of religious identity have been discussed with sudden urgency since the attacks of ‘9/11’. Nowhere was this clearer than in the heated controversy over the building of a mosque in the city of Cologne, which is the subject of Michael Hofmann’s contribution to this volume. Turkish Germans have also found themselves defined by the religious background of their parents. For different reasons German Jews have faced pressure to reconnect with a religion that their forbears cast off sometimes more than a century ago. At the same time religious belief among the nominally Christian majority has been in retreat. These changes have generated poetry, drama, and fiction as well as a number of films by both well-known and emerging authors and filmmakers. Their works sometimes reflect but more often challenge debates taking place in politics and the media. The essays in this volume explore a range of genres which engage with religion in contemporary Germany and Austria. They show that literature and film express nuances of feeling and attitude that are eclipsed in other, more immediately influential discourses. Discussion of these works is thus essential for an understanding of the role of religion in forming identity in contemporary multicultural German-speaking societies. This volume contains eight chapters in English and six in German.

Exploring the intricacies of Veza Canetti's literary contributions, this work delves into her unique voice and achievements while examining the interplay between her career and that of her renowned husband. It offers a fresh perspective on her writings, shedding light on her significance in the literary world and the dynamics of their partnership.

Twenty-five essays by scholars from the UK, Ireland, Germany and Australia explore two aspects of new German-language literature. The first dozen studies focus on the variety and depth of the ‘dialogue’ – in the sense of reciprocal influences – between literature, photography, film, painting, architecture, and music. The remaining essays alight on ‘Life-Writing’ in most of its forms (diaries, memoirs, autobiographies, and autobiographical fiction) and examine its centrality in recent years in German literature, not least because of the shadow which World War Two continues to cast over national life.

Most of the chapters in this volume were delivered as papers at a conference on the same theme held at the University of Kent in April 2002. The essays collected here, by scholars from the UK, Ireland, Germany, and the US, address a topic of fundamental concern across all the disciplines engaged with the study of contemporary Germany: the evolving relationship between urban and rural space, the metropolitan centre and the provincial Heimat. The volume identifies and investigates a number of recent trends: the emergence of 'eco-literature', the renaissance of writing - in prose and verse - inspired by the new Berlin, the realignment of regional sensibilities, which is complicated by the troubled tradition of Heimat in all its literary manifestations, and the continuing disjunctions between East and West. Individual essays engage with the work of established writers (Günter de Bruyn, Hubert Fichte, Peter Handke, WG Sebald, Siegfried Lenz, Martin Walser, and Elfriede Jelinek) and emerging talents (Georg Klein, Christof Hamann, Ludwig Laher, and Arnold Stadler).