Gary Hill is an author whose work navigates the intersection of music journalism, science fiction, and horror. Beginning in 1998, his prolific output delves into the music scene, explores local artistic communities, and engages with horror themes, particularly those inspired by H.P. Lovecraft. Hill's distinctive approach blends a deep appreciation for music and its connections to other art forms with a fascination for the uncanny and the supernatural, which permeate his fiction. His exploration across various media, from online platforms to print books and video content, reflects a desire to connect with audiences through a diverse range of compelling subjects.
The plot follows a legendary band of musicians who are kidnapped by aliens and thrust into a galactic conflict. They must confront a ruthless overlord intent on total control, navigating through various worlds while leveraging their unique talents in a fight for survival and freedom. The story explores themes of creativity, resilience, and the power of music as a force for resistance against tyranny.
This book is the story of two men who began an odyssey together that became a thread, which when unraveled, reveals how Cold War paranoia escalated into the death of a president. Robert Edward Webster and Lee Harvey Oswald were manipulated like marionettes on strings of espionage. Unraveling these strings (or threads) may lead us to the puppeteers controlling them. Were these “controllers” orchestrating a series of events that would lead to JFK's assassination?
The April 2020 issue of Music Street Journal features in-depth coverage of various artists, showcasing interviews, reviews, and insights into the music scene. Readers can expect a diverse range of musical genres and perspectives, highlighting both well-known and emerging talents. This issue aims to provide a comprehensive look at the current trends and developments in the music industry, making it a valuable resource for music enthusiasts.
The February 2020 issue of Music Street Journal features in-depth coverage of various artists, highlighting their latest works and contributions to the music scene. Readers can expect insightful articles, interviews, and reviews that showcase the diverse range of talent in the industry. This issue aims to provide a comprehensive look at both established and emerging musicians, making it a valuable resource for music enthusiasts.
Set against the backdrop of November 1963, the narrative delves into the intertwining forces of Cold War paranoia that culminated in a presidential assassination and a shift in global politics. It explores the convergence of rogue intelligence operatives, Cuban patriots, Mafia figures, and military hawks, driven by nationalism, power, and greed. The book reveals a conspiracy where manipulation through lies and fear led to a coup d'état, all centered around a small house in Oak Cliff, Dallas, highlighting the complex aftermath of conflicting ideologies.
Two artists engage in a 20-year correspondence across cultural and creative boundaries as part of Dis Voir's Encounters series Artist Gary Hill (born 1951) met Indigenous American Martin Cothren (1960-2016) from the Yakama Indian Reservation while looking for subjects for his 1996 piece Viewer. A fisherman by trade, Cothren also pursued illustration and beading, and the two men slowly developed an unlikely bond. Though they came from different backgrounds both culturally and creatively, Hill and Cothren forged a close connection and remained in one another's lives for the next 20 years, until Cothren's death. You Know Where I'm At and I Know Where You're At is the culmination of their "friendship of otherness." It traverses their ups and downs from paranoia and generosity to forgiveness and sorrow through drawings, handwritten letters and prose. The latest in Dis Voir's Encounters series, this book continues the project's goals of artistic and literary experimentation through collaboration.