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The Americanization of the Holocaust

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Contends that when Americanized, the Holocaust undergoes universalization and loses its specific Jewish character. This tendency can be seen in the expositions of museums such as the United States Holocaust Memorial Museum in Washington, DC, and the Museum of Tolerance in Los Angeles, as well as in the art work "Holocaust Project" by Judy Chicago, where the Holocaust is equated with the sufferings of the Blacks in America and the abuse of women. Another tendency is the American reluctance to confront the brutal and horrific essence of the Holocaust. For instance, the play "The Diary of Anne Frank", by F. Goodrich and A. Hackett, and the film version both downplay Anne's Jewishness and the fact that all of the characters are doomed to death. The latter tendency led to the growing cult of survivors and rescuers as the bright side of the Holocaust, manifested in Spielberg's "Schindler's List" and the proliferation of books on Righteous Gentiles, as well as the founding of the Institute of the Righteous Acts and the Jewish Foundation of Christian Rescuers by R. Schulweis. Virtuous as they are, the Gentile rescuers cannot counterbalance the evil of the Nazi Holocaust. (From the Bibliography of the Vidal Sassoon International Center for the Study of Antisemitism)

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The Americanization of the Holocaust, Alvin H. Rosenfeld

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1995
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