Satchmo meets Amadeus

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This collection of essays explores the intersections between classical music, a symbol of European cultural dominance, and jazz, representing the global influence of American culture. Renowned experts delve into the histories of European and American music, African American culture, and the cultural dynamics of New Orleans and Salzburg. The essays address the political exploitation of music during National Socialism and the Cold War, as well as the economic roles of music and tourism industries. By transcending the divide between classical music and jazz, the work examines the cultural, economic, social, and political forces that shape music creation and the popular narratives surrounding iconic figures like Satchmo and Amadeus from the 18th century to the early 21st century. Insights from musicians, including Joe Muranyi, alongside contributions from scholars affiliated with various universities, enrich the discourse. These authors provide a multifaceted understanding of the legacies and myths surrounding these seminal musical icons, highlighting the complexities of their cultural significance across time and geography.