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Matthais Meyer's paintings of cityscapes and landscapes combine and collide Monet's lusciously dissolved figuration with Gerhard Richter's harrowed, striated abstraction. (Meyer was a student of Richter's at the Düsseldorf Academy in the early 1990s.) On What Is Really Seen reproduces works from 2005 to the present.
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On what is really seen, Sandra Dichtl
- Language
- Released
- 2011
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- (Hardcover)
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