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In this study, the pejorative implications of the ambiguity in which Batouala and its author are identified are refuted. It is demonstrated that the work's controversial Preface-novel relationship obeys the structural and rhythmic imperatives of Africa's speech-music interchangeability, to which jazz also defers.
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René Maran’s Batouala jazz-text, Susan Allen
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- Released
- 2015
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