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Inventing exoticism

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At the turn to the eighteenth century, European markets were flooded by books and artifacts that described or otherwise evoked non-European realms: histories and ethnographies of overseas kingdoms, travel narratives and decorative maps, lavishly produced tomes illustrating foreign flora and fauna, and numerous decorative objects in the styles of distant cultures. 'Inventing exoticism' meticulously analyzes these, while further identifying the particular role of the Dutch-"Carryers of the World," as Defoe famously called them-in the business of exotica. The form of early modern exoticism that sold so well, as this book shows, originated not with expansion-minded imperialists of London and Paris, but in the canny ateliers of Holland. By scrutinizing these materials from the perspectives of both producers and consumers-and paying close attention to processes of cultural mediation-'Inventing exoticism' interrogates traditional postcolonial theories of knowledge and power. It proposes a wholly revisionist understanding of geography in a pivotal age of expansion and offers a crucial historical perspective on our own global culture as it engages in a media-saturated world

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Inventing exoticism, Benjamin Schmidt

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2015
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