The Social and Religious Designs of J. S. Bach's Brandenburg Concertos

Focusing on Bach's Brandenburg Concertos, this investigation delves into their musical, social, and religious implications, revealing how they challenge rather than simply reflect eighteenth-century musical hierarchies. By examining contemporary music theory and alternative interpretations of "concerto," the author argues that the concertos form a thoughtfully organized collection rather than a random assortment of instrumental pieces. This perspective highlights the complexities of Bach's work and its significance within the context of the era's conventions.