Music and nationalism in 20th-century Great Britain and Finland

Contents: Tomi Mäkelä: Towards a Theory of lnternationalism, Europeanism, Nationalism and Co-Nationalism in 20th-century Music • Arnold Whittall: Personal Style, Impersonal Structure? Music Analysis and Nationality. • Peter Dickinson: Nationalism is not Enough: A Composer's Perspective. • Ilkka Oramo: Beyond Nationalism. • Kalevi Aho: Music, Nationality and Society. • Erkki Toivanen: The Allure of Distant Strains: Musical Receptiveness of the Anglo-Saxon. • Matti Vainio: How Modernism Came to Finland? An Exposition of the History of Ideas. • Erkki Saimenhaara: Finnish Music in the 20s and 30s: lnternationalism vs. Nationalism. • Mikko Heiniö: The Main Trend in Finnish Music in the 1970s and 1980s and the Problem of „Finnishness“. • Matti Huttunen: Nationalistic and Non-Nationalistic Views of Sibelius in 20th-century Finnish Music History Writing. • Lewis Foreman: English Musical Character: Intrinsic or Learned? • Raymond Monelle: Scottish Music, Real and Spurious. • Malcolm MacDonald: Aspects of Scottish Musical Nationalism in the 20th Century, with special reference to the Music of F. G. Scott, Ronald Center and Ronald Stevenson. • Jeremy Dibble: Musical Nationalism in Ireland in the Twentieth Century: Complexities and Contradictions. • Axel Klein: An „old eminence among musical nations“. Nationalism and the Case for a Musical History in Ireland. • Alain Frogley: 'Getting ist History Wrong': English Nationalism and the Reception of Ralph Vaughan Williams. • Gunnar Sundberg: National Parallels in the Orchestral Works of Jean Sibelius and Arnold Bax: Focusing on Their Symphonic Language. • Kauko Karjalainen: Nationalism in Leevi Madetoja's Operatic Works. • Helena Tyrväinen: The Solitary Way of Uuno Klami.