Bojan Šarčević, a curious contortion in the method of progress, l’ellipse d’ellipse

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The work of Bojan Šarčević, born in 1974 in Belgrade and now residing in Berlin and Paris, is characterized by an open form. He describes his exhibitions as reflections of the origins of his artistic position rather than mere expressions of it. This book documents two exhibitions at Kunstmuseum Liechtenstein and the Institut d’art contemporain, showcasing a sculptural style that navigates between monumental sculptures, delicate murals, and layered films. Observers can expect the unexpected, as Šarčević's work poses aesthetic questions that challenge the boundaries between art and life in a Brechtian manner. His modern approach develops resistant forms that serve as sculptures, contrasting the idea of overcoming the divide between life and art. Drawing inspiration from historic figures like the Moscow constructivists and architects such as Hans Poelzig, Erich Mendelsohn, and Hans Scharoun, Šarčević transcends formalism. As Michel Gauthier notes, while art seeks to transform life, it doesn’t mean life discards the form of art. This catalogue is a significant achievement, as it presents retrospective illustrations and descriptions of Šarčević’s diverse works from 1999, with a focus on the last five years, fulfilling the art world's long-standing anticipation. Exhibitions: Kunstmuseum Liechtenstein, Vaduz, 10/2–6/5/2012; Institut d’art contemporain, Villeurbann/Rhône-Alpes, 21/9–18/11/2012.