The Revolution in German Theatre 1900-1933

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First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political theatre of Piscator and Brecht. Early productions of Kaiser�s From Morning till Midnight and Toller�s Transfiguration are presented as examples of Expressionism. A thorough analysis of Piscator�s Hoppla, Such is Life! And Brecht�s Man show the similarities and differences in political theatre. In addition, elements of stage-craft are examined � illustrated with tabulated information, an extensive chronology, and photographs and designs of productions.