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Situating ballet within twentieth-century modernism, this book brings complexity to the history of George Balanchine's American neoclassicism. It intervenes in the prevailing historical narrative and rebalances Balanchine's role in dance history by revealing the complex social, cultural, and political forces that actually shaped the construction of American neoclassical ballet.

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Making Ballet American, M. Y. Alam, Tony Harrison, David Peace, Jeremy Dyson, Martyn Bedford, Andrea Semple, Ian Duhig, Susan Everett

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2018
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