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The book argues that the Renaissance was the Ruin-naissance, the birth of the ruin as category of discourse that inspired voluminous poetic production. By examining Petrarch, Du Bellay, the Hypnerotomachia Poliphili, Spenser, and Shakespeare, Hui explains how writers used the ruin to think about their relationship to classical antiquity.
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The Poetics of Ruins in Renaissance Literature, Andrew Hui
- Language
- Released
- 2017
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- (Paperback)
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