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Explores how competing understandings of the US South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. A critical disjuncture exists between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other.
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Sounding the Color Line, Erich Nunn
- Language
- Released
- 2015
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- (Paperback)
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