Cinema at the Crossroads

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Exploring the intersection of cinema and national culture, this book examines how East Asian experiences can reshape postcolonial studies. By applying an East Asian postcolonial framework and psychoanalytic methodology, it delves into the complexities of a failed hegemonic subject within the cinematic landscape. The analysis reveals the intricate ways in which cinema reflects and influences notions of power and cultural identity, offering a profound insight into the dynamics of hegemony in East Asian contexts.