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In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the femme fatale figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with bad women.
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Rethinking the Femme Fatale in Film Noir, Grossman M.
- Language
- Released
- 2009
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- (Paperback)
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