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Over 500 different etchings with particular attention to the early years 1911-1924, when Icart was a relatively unknown artist and his edition sizes were small. The authors clarify some of the existing confusion surrounding Icart's work, explaining the variations in his signature, the use of the Windmill seal and other seals, and the myriad of copyright notations found on his etchings.

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Icart, S. Michael Schnessel

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1997
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