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Offers a range of approaches and case studies whose organizing principle is the developing idea of polycentrism as applied to cinema. In this title, the authors refine and redefine key concepts in film studies, including identification and identity, narrative and realism, allegory and the national project, auteurism and the popular, art and genre.
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Theorizing World Cinema, Bloomsbury Publishing Plc
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- Released
- 2011
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- (Paperback)
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