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This book explores the interpretation of Stan Brakhage's experimental film "Dog Star Man" through hermeneutics, applying Ricoeurian methodology. It challenges traditional film concepts by emphasizing Brakhage's non-narrative approach, use of celluloid techniques, and absence of dialogue, prompting a philosophical inquiry into the language of moving images.
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Philosophy in Stan Brakhage's Dog Star Man, Alberto Baracco
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- Released
- 2019
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