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Neo-Feminist Cinema

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Hilary Radner's "Neo-Feminist Cinema" analyzes contemporary cinema's portrayal of women, arguing that "girly films" like "Pretty Woman" and "Legally Blonde" reflect consumer culture rather than true feminism. By labeling these films as "neo-feminist," Radner critiques their alignment with neo-liberal values, revealing tensions within feminist discourse in film.

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Neo-Feminist Cinema, Hilary Radner

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2010
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