Analyzing patriarchal gender relations within Double Indemnity (1944)

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The paper analyzes Billy Wilder's film Double Indemnity, focusing on the portrayal of patriarchal gender relations and the character of Phyllis Dietrichson. It argues that her character serves as a reflection of the societal norms and structures of her era, highlighting the complexities of gender dynamics within the context of film noir. The exploration reveals the film's commentary on the implications of these patriarchal systems, contributing to a deeper understanding of its social relevance.