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Painterly Perspective and Piety
Religious Uses of the Vanishing Point, from the 15th to the 18th Century
Authors
322 pages
More about the book
The book explores the intersection of art and religion during the 15th century Renaissance, highlighting how ecclesiastical commissions dominated the era. It delves into the concept of the Catholic Vanishing Point (CVP), where artworks are aligned with significant liturgical elements, enhancing their spiritual impact. Through detailed analysis of Masaccio's Trinity, along with works by Leonardo and others, the text illustrates the development and application of linear perspective in sacred art, revealing its profound connection to Roman Catholic practices.
Book variant
2008, paperback
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