Mask and Performance in Greek Tragedy

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Exploring the significance of masks in Greek theatre, this study delves into their role in transformation rather than as standalone objects. Wiles analyzes ancient evidence and contrasts it with twentieth-century theatrical practices, highlighting a tension between possession and alienation. He argues against separating the political and religious aims of Greek tragedy, suggesting that understanding masks reveals the dual focus of Greek acting on both text and body. This work challenges traditional views on the relationship between theatre and ritual, offering fresh insights into the actor's creative process.