France, Algeria and the Moving Image

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The book explores the intricate dynamics of colonization and violence in the context of France's ongoing relationship with Algeria, highlighting the historical omissions in cinematic representations. Through detailed analyses of films by notable European and Algerian directors, it examines how these narratives reflect and shape political discourse. Maria Flood argues that understanding these connections enhances our comprehension of film's political power in confronting historical and contemporary violence, making the study relevant to current discussions on representation and memory.