The book is currently out of stock
Parameters
More about the book
The essay explores the individuality of Amrita Sher-Gil's paintings by analyzing her stylistic evolution through three key works from 1930 to 1935. It highlights the Western influences in "Self-Portrait with Easel" (1930), the challenge to traditional female nude representation in "Self-Portrait as Tahitian" (1934), and culminates with "Hill Women" (1935), marking a significant artistic transition. Additionally, it contextualizes these paintings within Sher-Gil's personal experiences and the broader historical and cultural landscape of her time.
Book purchase
Amrita Sher-Gil and the representations of non-western female bodies, Christina Haupt
- Language
- Released
- 2017
- product-detail.submit-box.info.binding
- (Paperback)
We’ll email you as soon as we track it down.
Payment methods
No one has rated yet.