The representation of intimacy and sexuality in the paintings of François Boucher

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François Boucher, once overlooked by art historians, is now celebrated as a key figure of the Rococo movement, known for his exploration of female grace and sexuality within intimate and erotic contexts. This essay analyzes how Boucher conveys these themes through his artwork, providing specific examples to illustrate his techniques. It culminates in a comparative analysis with his notable pupil, Jean-Honoré Fragonard, particularly focusing on Fragonard's renowned painting, The Swing, highlighting the evolution of themes in their respective works.