Navajo and Photography: A Critical History of the Representation of an American People

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Focusing on the interplay between photography and Navajo representation, James Faris critiques how images often reflect the perspectives of photographers rather than the authentic experiences of the Navajo people. He traces the history of Navajo photography from early captivity images at Bosque Redondo to contemporary works, highlighting the underlying assumptions that shape these representations. Featuring notable photographers like Edward S. Curtis and Laura Gilpin, this book offers a thought-provoking examination of cultural narratives through visual media.