This series delves into the intricacies of American theatre and drama, situating them within broader cultural and social contexts. It encompasses a wide range of topics, from the literary study of plays to theatre histories and explorations of popular forms. The collection acts as a crossroads for historical, theoretical, literary, and biographical approaches, fostering innovative research and offering fresh perspectives on the American stage.
Susan Harris Smith's book offers a revisionist exploration of the cultural neglect of American drama, examining its dismissal as a legitimate literary form. She addresses various factors, including theatrical performance, nationalism, academic disciplines, and sociology, highlighting the genre's complex status in American society.
Focusing on the theatrical landscape during America's political birth, this book presents a thorough compilation of existing knowledge in the field. Jared Brown's extensive research offers a detailed chronicle of the era's theatre, making it an essential resource for students, scholars, and general readers interested in the intersection of culture and politics in early American history.