This series delves into the gritty underbelly of 1940s and 1950s Los Angeles. It follows interconnected stories that expose deep-seated crime and corruption. Each installment introduces new characters, but all are bound by the suffocating atmosphere of the post-war metropolis. It's a raw look at crime, moral decay, and human nature in the city of angels.
The Black Dahlia is a roman noir on an epic scale: a classic period piece that provides a startling conclusion to America's most infamous unsolved murder mystery--the murder of the beautiful young woman known as The Black Dahlia.
From the widely acclaimed author of" L.A. Confidential" comes the absorbing story of three man caught in a massive web of ambition, perversion, and deceit. ""The Big Nowhere" "makes you feel as if you are really in the Hollywood of 1950".--"The Wall Street Journal".
"L.A. is a city where it's hard to tell the good guys from the bad. At Central Police Station, Christmas 1951, cops beat up six suspects. This will change the careers of the three LAPD detectives involved"--http://trove.nla.gov.au
L.A., 1958. Corrupt Lt. Dave Klein, rapidly into a morass of bribes, fixes, and murder, hunts a thief whose crime-family victims don't want him caught and agrees to dig dirt on a Howard Hughes starlet--all while struggling to duck the fallout from his latest killing. As controversy over the proposed stadium for the Dodgers in Chavez Ravine brings city politics to a boil, Dave gets the word from mobster Mickey Cohen to help Sanderline Johnson, a half-wit croupier picked up in a raid, out his ninth-floor window before he can testify. The official verdict is flipped-out suicide, but the murder squeezes Dave between his department patron, detective chief Ed Exley; his would-be patron, Capt. Dudley Smith, deep in the Organization's pocket; double-dealing D.A. Bob Gallaudet; and Welles Noonan, a politically-minded US attorney with blood in his eye. Meanwhile, Exley puts Dave in charge of a break-in to the home of mobster J. C. Kafesjian, who wants him off the case; and Dave falls in love with Glenda Bledsoe, the starlet whose contract Hollywood mogul Hughes wants to break--and vows to protect her from the man whose money he's taking to break her. As if all this weren't trouble enough, somebody (Exley? Gallaudet? Dud Smith?) frames Dave for a murder that's been captured on film.