Neil Gunn stands as one of Scotland's most distinguished novelists, whose work is defined by a profound search for meaning amidst times of crisis. Though his narratives are predominantly set in the Scottish Highlands, Gunn transcends regionalism to explore philosophical, archaeological, and metaphysical dimensions. His novels skillfully weave together compelling action with deep contemplation, often drawing analogies to a Highland river seeking its source. Celebrated for their balance of concrete events and abstract inquiry, Gunn's literary contributions offer readers a unique perspective on enduring questions of existence and purpose.
Set against an urban backdrop, this classic Scottish thriller by Neil M. Gunn explores themes that resonate with contemporary issues. Uncharacteristic of his usual style, the narrative delves into suspense and intrigue, reflecting on societal dynamics and human experiences relevant to modern times.
Selection of short stories from one of Scotland's foremost 20th century novelists
Continues the adventures of the two protagonists from the Young Art and Old Hector. The unlikely friends, representing the extremes of age and youth, have been transported from the Highlands of our world to an alternative Highland universe, the Green Isle. This novel is both a Scottish parable and a warning of the dangers of power and its abuse.
A novel set in a Highland shooting lodge, where the focus is a hunt in a remote deer forest; but this is no ordinary thriller. číst celé
A powerful novel set in the city of Glasgow in 1939 - but with a strange relevance to the events of today
A dark and uplifting modern classic of Scottish literature. Introduced by Diarmid Gunn
Exploring profound themes of life, death, and the inexplicable nature of tragedy, this classic Scottish fiction serves as Gunn's final literary work. The narrative delves into the complexities of human experience, reflecting on the inevitability of loss and the mysteries that surround existence.
In 1937, the Scottish writer, Neil Gunn, gave up his job in the civil service, sold his house in Inverness, and bought a boat. With his wife and his brother John, he set off on a three-month voyage around Inner Hebrides.The boat had outlived its first youth, and its engine was somewhat cranky; she went tolerably under sail. These are not high recommendations, but for Gunn, and at times his fellow voyagers, the vessel was an argosy of freedom, of adventure and misadventure–for they were fairly inexperienced sailors, and the waters of the region are by no means placid.Gunn was a Scots nationalist in a sense that goes far beyond the political, even though he thought that an independent Scotland was the only proper basis for a reasonable civilization. He was by nature poetic, uplifted or cast down by changing skies, seascapes, and shores. His descriptions of those things, including their moods, are remarkably evocative. And he is also a passionate historian of his country, exalting its possibilities, anathematizing its shortcomings. The book is illustrated with Daisy Gunn's photographs taken on the voyage, which are palpably amateur but wonderfully telling.
At the heart of The Silver Bough is a cairn on a knoll surrounded by standing stones. This is of professional interest to an archaeologist, around whom the story revolves. The life-enhancing qualities of the crofting family with whom he lodges and the quiet tenor of Highland life bear a curious similarity to his speculations on how 'the cairn people' lived in the distant past. His ideas spread outwards like ripples in a loch, fascinating his colleagues and giving some meaning to the life of a neighbouring landowner, who is mentally scarred from his experiences in the War. The plot of the book is imaginative and intricate, and includes the mystery of skeletons found in a cist in the cairn. As the dig proceeds, gold is discovered and then disappears. Has it been taken by the lad the archaeologist has been employing and, if so, where is it? The search is on and the standing stone claims its sacrificial victim.
When the sheer intensities of family life become too much for eight-year-old Art, it is to Old Hector that he turns for comfort. Thwarted from fulfilling his burning desire to go to the River, he seeks out the old man who can still poach a salmon with the best when he chooses. Through Old Hector's tales and his own experiences, Young Art gradually learns about the painful business of growing up.Young Art and Old Hector shows Neil Gunn's artistry at its very best; above all, his genius for clothing a simple story of Caithness crofter-fishermen in the rich garb of myth. It is also one of the finest evocations of childhood ever written, conveying all the magic and misery and the bursting joys of being a small boy in the great and mysterious world.