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Peter Szendy

    Peter Szendy is a French philosopher and musicologist whose work critically examines Romantic and Modernist conceptions of listening. He explores how we perceive sound and music, uncovering deeper historical and philosophical connections within our auditory experiences. His writing prompts readers to reconsider the profound influence of sound on our lives and culture. Szendy's approach offers a penetrating insight into how our ears have become essential tools for understanding the world.

    Höre(n)
    Für eine Ökologie der Bilder
    Kant chez les extraterrestres
    The Supermarket of the Visible
    For an Ecology of Images
    Listen
    • 2025

      For an Ecology of Images

      • 112 pages
      • 4 hours of reading

      This work presents an innovative ecological perspective on images, exploring their relationship with the environment and our perception of reality. The renowned philosopher delves into how visual representations influence our understanding of ecological issues and the interconnectedness of all things. By examining the interplay between images and nature, the book invites readers to reconsider their views on representation, perception, and the role of philosophy in addressing contemporary environmental challenges.

      For an Ecology of Images
    • 2019

      The Supermarket of the Visible

      • 160 pages
      • 6 hours of reading

      The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.

      The Supermarket of the Visible
    • 2008

      Listen

      • 156 pages
      • 6 hours of reading
      4.0(31)Add rating

      Examines what the role of the listener is, and has been, through the centuries. The author explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how we ourselves listen to music.

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