Eva Ruxová Book order (chronological)

A crime thriller featuring Belgian sleuth Hercule Poirot in which a mild-mannered minister attending a dinner is poisoned, but no trace of poison can be found, and there seems to be absolutely no motive.

When Elizabeth Bennet first meets eligible bachelor, Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. This novel shows the folly of judging by first impressions and evokes the friendships, gossip and snobberies of provincial middle-class life.

Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willougby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

While enjoying a stay in fashionable Bath, the young and callow Catherine Morland is introduced to the delights of high society. A satire on the gothic mode typified by the novels of Ann Radcliffe, 'Northanger Abbey' is a witty comedy of manners in the style of Jane Austen's later novels.

Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

July, 1700, Rome. Atto Melani - once a celebrated castrato soprano, now a spy in the service of King Louis XIV, the Sun King - mingles with other high- ranking guests at the villa of Cardinal Spada. The main topic of conversation is the grave illness of the Pope and the approaching demise of Charles II, King of Spain.

11 September 1683, Rome. The citizens of the city wait anxiously for the outcome of the battle of Vienna as Ottoman forces lay siege to the defenders of Catholic Europe. Meanwhile, a suspected outbreak of plague causes a famous tavern to be placed under quarantine. While detained there, French spy Atto Melani discovers a secret network of passages under the city. They lead him into the Roman underworld and the startling discovery of a plot to assassinate the pope and a plan to use the plague as a weapon of mass destruction in the battle between Islam and the West…

Děj románu zavádí čtenáře do historicky věrného a působivého prostředí antických Pompejí, do doby po velkém výbuchu sopky Vesuvu. Ústřední postava malíř Labius odjíždí z Říma do Pompejí, aby zde pracoval na obnově výzdoby výbuchem poškozených domů. Zde prožívá svůj úspěch, lásku i politické intriky. Netuší však, že se blíží druhý výbuch sopky, sice zatím vzdálený v čase, ale naprosto fatální pro město.

A spa stay turns into a homicidal holiday... A bit snobbish and a trifle high-strung, Sybil Foster prides herself on owning the finest estate in Upper Quintern and hiring the best gardener. In fact, she is rapturous over the new asparagus beds when a visit from her unwelcome stepson sends her scurrying to a chic spa for a rest cure, a liaison with the spa's director...and an apparent suicide. Her autopsy holds one surprise, a secret drawer a second. And Inspector Roderick Alleyn, C.I.D., digging about Upper Quintern, may unearth still a third...deeply buried motive for murder.

Kniha obsahuje dva psychologicky laděné milostné romány z padesátých let 20. století od populární francouzské autorky. — Oba romány, resp. románové novely (Za měsíc, za rok, 1957; Dobrý den, smutku, 1954) zachycují složité problémy a vnitřní konflikty milostných vztahů hrdinek, náležejících převážně k francouzské intelektuální vrstvě té doby. Komorní příběhy těchto žen líčí autorka v obou prózách s maximální objektivitou, bez sentimentality a falešné citovosti.