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Roy Wagner

    This author delves deeply into indigenous conceptual systems, particularly concerning kinship, ritual, myth, and worldview across Melanesia, Australia, and North America. Their work investigates the pragmatics of cultural representation, including imagery, writing, and speech, as a foundation for symbolism. Special attention is given to shamanism and curing practices, intentionally sidestepping psychological, political, or "ethnic" perspectives, while also examining the human element within technology and concepts of power.

    Asiwinarong
    The Invention of Culture
    The Choice: The Choice Chronicles, the greatest trial ever held
    • 2019

      The narrative revolves around a pivotal trial that holds significance for all humanity, inviting readers to take on the role of jurors. As you sift through the evidence presented, you face the profound responsibility of rendering a verdict that will impact eternity. This unique interactive experience challenges you to engage deeply with the material, making it a thought-provoking exploration of choice and consequence.

      The Choice: The Choice Chronicles, the greatest trial ever held
    • 2014

      Asiwinarong

      Ethos, Image, and Social Power among the Usen Barok of New Ireland

      • 280 pages
      • 10 hours of reading

      Focusing on Barok social and ritual life, the study delves into the significance of the men's-house feasting cycle, particularly the culminating death feast known as kaba. The term "asiwinarong" is central to this exploration, representing the leadership succession that underpins Barok's claims to ethical integrity and precedence within their community.

      Asiwinarong
    • 1981

      The Invention of Culture

      • 208 pages
      • 8 hours of reading
      3.9(69)Add rating

      In anthropology, a field that is known for its critical edge and intellectual agility, few books manage to maintain both historical value and contemporary relevance. Roy Wagner's The Invention of Culture, originally published in 1975, is one. Wagner breaks new ground by arguing that culture arises from the dialectic between the individual and the social world. Rooting his analysis in the relationships between invention and convention, innovation and control, and meaning and context, he builds a theory that insists on the importance of creativity, placing people-as-inventors at the heart of the process that creates culture. In an elegant twist, he shows that this very process ultimately produces the discipline of anthropology itself. Tim Ingold’s foreword to the new edition captures the exhilaration of Wagner’s book while showing how the reader can journey through it and arrive safely—though transformed—on the other side.

      The Invention of Culture