Maryse Condé is celebrated for her historical fiction, which delves into complex themes of race, gender, and culture across diverse historical settings. Her narratives offer a unique perspective on identity and the human experience. Beyond her writing, Condé has had a distinguished academic career, teaching French literature at prominent universities globally. She is known for her profound exploration of postcolonial realities and the construction of self.
Focusing on the life of Béhanzin, an African king who resisted French colonial rule and faced exile in Martinique, the narrative explores the journeys of his descendants across the Caribbean and the United States. Through a rich tapestry of interconnected stories, the novel delves into themes of exile, lost heritage, memory, and resilience. While primarily set in the Americas, the lingering presence of Africa adds depth to the family's quest for identity and belonging amidst their scattered lives.
Reflections on the Oral Literature of Guadeloupe and Martinique
103 pages
4 hours of reading
Exploring the legacy of the African slave trade, this work delves into the experiences of the Bossale, enslaved individuals transported to the plantations of Martinique and Guadeloupe. It critically examines historical narratives, revealing the intentional distortions and highlighting the enduring truths that emerge through careful examination. The book remains significant in its exploration of identity, resilience, and the long-lasting impact of colonialism, making it a poignant reflection on history and its truths.
One Easter Sunday, Madame Ballandra puts her hands together and exclaims: 'A miracle!' Baby Pascal is strikingly beautiful, brown in complexion, with grey-green eyes like the sea. But where does he come from? Is he really the child of God? So goes the rumour, and many signs throughout his life will cause this theory to gain ground. From journey to journey and from one community to another, Pascal sets off in search of his origins, trying to understand the meaning of his mission. Will he be able to change the fate of humanity? And what will the New World Gospel reveal? For all its beauty, vivacity, humour, and power, Maryse Conde's latest novel is above all a work of combat. Lucid and full of conviction, Conde attests that solidarity and love remain our most extraordinary and lifesaving forces.
Babakar is an African doctor living alone until the child Anaïs comes into his life. Forced to abandon his solitude, he takes her to Haiti in search of her family.
The narrative centers on Dieudonné Sabrina, a young black gardener accused of murdering his wealthy white employer and lover, Loraine. As he seeks refuge on his sailboat, La Belle Créole, the story unfolds through flashbacks during a tumultuous night in Port-Mahault, Guadeloupe. Set against a backdrop of social unrest and labor strikes, the novel explores themes of identity, race, and the uncertain futures of both Dieudonné and the island itself. Condé's work weaves a complex tale of desperation and societal decay.
Ivan and Ivana are twins with a bond so strong they become afraid of their feelings. As young adults in Paris, Ivana joins the police while Ivan walks the path of radicalisation. Unable to live with or without each other, become perpetrator and victim in a wave of violent attacks. With her most impressive novel to date, this master storyteller offers an impressive picture of a colourful yet turbulent 21st century.
Born in Guadeloupe, Ivan and Ivana are twins with a bond so strong they become afraid of their feelings for one another. When their mother sends them off to live with their father in Mali they begin to grow apart, until, as young adults in Paris, Ivana’s youthful altruism compels her to join the police academy, while Ivan, stunted by early experiences of rejection and exploitation, walks the path of radicalization. The twins, unable to live either with or without each other, become perpetrator and victim in a wave of violent attacks. In The Wondrous and Tragic Life of Ivan and Ivana, Maryse Condé, winner of the 2018 Alternative Nobel prize in literature, touches upon major contemporary issues such as racism, terrorism, political corruption, economic inequality, globalization, and migration. With her most modern novel to date, this master storyteller offers an impressive picture of a colorful yet turbulent 21st century.
For many, cooking is simply the mechanical act of reproducing standard recipes. To Maryse Cond , however, cooking implies creativity and personal invention, on par with the complexity of writing a story. A cook, she explains, uses spices and flavors the same way an author chooses the music and meaning of words. In Of Morsels and Marvels, Cond takes us on a literary journey around places she has travelled to in India, Indonesia, and South Africa. She highlights the tastes and culinary traditions that are fascinating examples of a living museum. Such places, Cond explains, provide important insights into lesser-known aspects of contemporary life. One anecdote illustrates what becomes of the standard Antillean dishes of fish stew and goat curry by two Antilleans who own a restaurant in Sydney, Australia. Cuisine changes not only according to the individual cook but also adapts to foreign skies under which it is created. The author also recounts personal memories of her lifelong relationship with cooking, such as when Ad lia, her family's servant, wrongly blames little Maryse for mixing raisins with fish and using her imagination in the kitchen. Blending travel with gastronomy, this enchanting volume from the winner of the 2018 Alternative Nobel Prize will delight all who marvel at the wonders of the kitchen or seek to taste the world.
For nearly four decades, Maryse Condé, best known for her novels Segu and Windward Heights, has been at the forefront of French Caribbean literature. In this collection of essays and lectures, written over many years and in response to the challenges posed by a changing world, she reflects on the ideas and histories that have moved her. From the use of French as her literary language--despite its colonial history--to the agonies of the Middle Passage, at the horrors of African dictatorship, and the politically induced poverty of the Caribbean to migration under globalization, Condé casts her unflinching eye over the world which is her inheritance, her burden, and her future. Even while paying homage to her intellectual and literary influences--including Frantz Fanon, Leopold Sedar Senghor, and Aimé Césaire--Condé establishes in these pages the singularity of her vision and the reason for the enormous admiration that her writing has garnered from readers and critics alike.
What Is Africa to Me? traces the late 1950s to 1968, chronicling Condé’s life in Sékou Touré’s Guinea to her time in Kwame N’Krumah’s Ghana, where she rubbed shoulders with Malcolm X, Che Guevara, Julius Nyerere, and Maya Angelou. Accusations of subversive activity resulted in Condé’s deportation from Ghana. Settling down in Sénégal, Condé ended her African years with close friends in Dakar, including filmmakers, activists, and Haitian exiles, before putting down more permanent roots in Paris. --Front flap.
