Set against the backdrop of a relentless hunt, a wolfman embarks on a quest to find the last Tasmanian Wolf, believed to be hiding from human hunters in Australia. As he navigates the dangers posed by human adversaries and their vehicles, the tension escalates in a cat-and-mouse chase. The story explores themes of survival and the conflict between humanity and nature, highlighting the wolfman's determination to protect the endangered species even as extinction looms.
The plot revolves around a renowned author, thought to be deceased, who communicates with his Publisher through a young girl unaware of his identity. As the chilling predictions in his notes begin to materialize, the mystery deepens, raising questions about life, death, and the power of belief. This intriguing premise blends elements of suspense and supernatural intrigue, challenging perceptions of reality and the nature of existence.
Featuring a unique blend of fantasy and realism, this live-acted shadow play showcases actors who bring the narrative to life while a storyteller guides the audience. The performance is designed to captivate viewers with its imaginative visuals and engaging storytelling, creating a fully-rounded theatrical experience that emphasizes the connection between the performers and the audience.
Come unto these yellow sands, And then take hands; Curtsied when you have and kiss’d, The wild waves whist. He was so good at Serious Matters but the trouble was people never took him seriously, let alone kept dying around him. Nor did it help that he was the wrong person in his body, such that the precocious girl-child who claimed to be the better fit kept nagging him while they bobbed along the shipping lanes of the Indian Ocean. He shouldn’t have shouted ‘Left!’ when it should have been ‘Right!’ to send his Humvee into an Afghani roadside bomb. He shouldn’t have left his darling wife and bubba-to-be alone in their Queenslander while he dabbled in giving witness to the whole of Sydney’s woes. He should have honoured his Sri Lankan heritage and his becoming-Australian more. He should have popped some pill or whatever to get rid of the Bard. He shouldn’t have married himself to the problem of the Australian Aborigines in its sexier form and its sweeter siren songs, only to find there are no words left -- only the shuffle within the dandruff drifts of falling cigarette ash. His Petey-the-clown’s plaffy shoes didn’t help his image, either. In fact, he wasn’t embedded in anything at all. He was merely bobbing along with the washes. And, concerning calm surfaces, very sloppily too. Plus, there were too many snakes in the world.
The play highlights the struggle of humanity against an indifferent and harsh universe, embodying a powerful metaphor for life's challenges. Bill Reed's innovative use of Artaudian techniques in "Burke's Company" marks a significant development in Australian drama, showcasing the emotional depth and complexity of the characters' experiences. Professor Dennis Carroll emphasizes its stature and impact within the contemporary theatre landscape, reflecting on the broader themes of resilience and existential conflict.
The narrative unfolds through the lens of a couple's fifty-seven-year journey filled with love, laughter, and adventure. From humorous encounters with wildlife to poignant reflections on heartache and military service, their stories capture a rich tapestry of experiences. Rose and Bill's paths crossed fatefully after years of separate explorations, igniting a profound bond that led them to a lifetime of shared escapades. Their union symbolizes not just romance, but a deep partnership forged through life's challenges and joys, celebrating the beauty of true love.
Set around a campfire, the narrative captures the essence of oral storytelling, weaving together tales that resonate with authenticity and depth. The speaker emphasizes a commitment to truth, inviting listeners to immerse themselves in the rich, evocative smoke trails of shared experiences. This unique approach highlights the power of spoken word and the intimate connections formed through storytelling, ensuring that each tale is both meaningful and memorable.
Focusing on the life of Thomas Peel, a pivotal yet flawed figure in Western Australia's early settlement, the play explores his inability to lead a group of settlers despite being their appointed leader. Stranded on the beach for a year, he faces the consequences of his inaction as his followers suffer from dire conditions and ultimately abandon him. The narrative delves into his complex relationships, particularly with his family, and culminates in a scandalous court appearance in his old age. The blend of humor and tragedy highlights Peel's isolation and delusion.
The drama unfolds through three one-act plays centered on Truganinni, who is often regarded as the last Tasmanian Aborigine. The narrative explores her experiences and the profound degradation faced by her people, highlighting themes of resilience and cultural loss. Through Truganinni's perspective, the audience witnesses the struggles and challenges of Indigenous identity and survival in the face of colonial oppression. The play's poignant storytelling and historical context bring to light the impact of these events on both personal and communal levels.
Dorothy faces a daunting journey to Chennai to inform her mother-in-law about her husband's gang-related murder, despite their strained relationship. Auntie's chaotic and domineering nature complicates matters, especially with the presence of a rebellious domestic help. Tensions rise further with the arrival of Navin, Auntie's other son, whose morally questionable profession adds to the family discord. As Dorothy grapples with her husband's death, Inspector Charles Ekanayake's unexpected presence offers a glimmer of support amid the turmoil.
