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Set against the backdrop of 19th-century Tasmania, the story follows Truganinni, the last known member of her Indigenous race, as she navigates life in Hobart Town after King Billy's death. Embracing her status as a living relic, she experiences both curiosity and isolation. As her health declines, she reflects on her people's tragic past and expresses a poignant wish for her burial. The narrative explores themes of identity, memory, and resilience amid the looming threat of body-snatchers, showcasing Truganinni's spirit and connection to her heritage.
The drama unfolds through three one-act plays centered on Truganinni, who is often regarded as the last Tasmanian Aborigine. The narrative explores her experiences and the profound degradation faced by her people, highlighting themes of resilience and cultural loss. Through Truganinni's perspective, the audience witnesses the struggles and challenges of Indigenous identity and survival in the face of colonial oppression. The play's poignant storytelling and historical context bring to light the impact of these events on both personal and communal levels.
Focusing on the life of Thomas Peel, a pivotal yet flawed figure in Western Australia's early settlement, the play explores his inability to lead a group of settlers despite being their appointed leader. Stranded on the beach for a year, he faces the consequences of his inaction as his followers suffer from dire conditions and ultimately abandon him. The narrative delves into his complex relationships, particularly with his family, and culminates in a scandalous court appearance in his old age. The blend of humor and tragedy highlights Peel's isolation and delusion.
Marital strife for Bill and Billy intensifies as they confront a threatening neighbor and a serial murderer on the loose in their countryside cottage. The isolation of their weekender amplifies their fears, blurring the lines between fiction and reality. As the night unfolds, they grapple with a relentless evil that transforms their pretend fears into genuine terror. The narrative explores themes of paranoia and identity, leading to a chilling climax where nothing is as it seems. Bill Reed, the author, is an accomplished writer with a diverse background in journalism and drama.
Set against the backdrop of a relentless hunt, a wolfman embarks on a quest to find the last Tasmanian Wolf, believed to be hiding from human hunters in Australia. As he navigates the dangers posed by human adversaries and their vehicles, the tension escalates in a cat-and-mouse chase. The story explores themes of survival and the conflict between humanity and nature, highlighting the wolfman's determination to protect the endangered species even as extinction looms.
Set against the backdrop of the Moree race riots, the story follows an ensemble of actors preparing to rehearse a play about the tragic events surrounding the death of young Aboriginal Cheeky McIntosh in 1982. As they explore Endeavour Lane, they encounter Daddy, a local elder who claims to be waiting for a bus to a murder trial. His presence challenges the group’s understanding of their project, intertwining past and present while prompting reflections on historical injustices, including the Myall Creek Massacre of 1838.
Featuring a unique blend of fantasy and realism, this live-acted shadow play showcases actors who bring the narrative to life while a storyteller guides the audience. The performance is designed to captivate viewers with its imaginative visuals and engaging storytelling, creating a fully-rounded theatrical experience that emphasizes the connection between the performers and the audience.
This collection features five notable plays by Bill Reed, showcasing his talent for storytelling. Each play, including "Mr Siggie Morrison with his Comb and Paper" and "Truganinni," has been modernized to resonate with contemporary audiences through updated plots and familiar colloquialisms. While the staging has been adapted for modern theatre's practicalities, the original settings and characterizations remain intact, preserving the essence of Reed's work. This compilation offers a fresh yet authentic experience of his celebrated plays.
The collection features award-winning short-form plays, ranging from brief pieces to longer one-acters, selected by the Australian Script Centre for their website. These twelve plays cater to various production needs, suitable for full performances or workshop exercises, accommodating different cast sizes and support staff. Many have been successfully staged by advanced-level schools and at theatre festivals, showcasing their versatility and appeal for both educational and professional settings.