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Ian Bogost

    December 30, 1976

    Ian Bogost is a celebrated video game designer, critic, and researcher whose work investigates the intersection of games, media, and culture. His analyses delve deeply into how games function as modes of communication and expression, revealing their potential to influence and articulate complex ideas. Bogost's approach often employs creative critique, using game design itself, such as the satirical Cow Clicker, to illuminate aspects of the gaming industry and digital interaction.

    Persuasive Games
    Unit Operations
    10 PRINT CHR$(205.5+RND(1)); : GOTO 10
    • 10 PRINT CHR$(205.5+RND(1)); : GOTO 10

      • 328 pages
      • 12 hours of reading

      A single line of code offers a way to understand the cultural context of computing. This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.

      10 PRINT CHR$(205.5+RND(1)); : GOTO 10
      4.0
    • Unit Operations

      • 264 pages
      • 10 hours of reading

      A critical approach that marries literary theory and information technology, reading digital and cultural artifacts--whether videogames, literature, or film--as configurative systems of interlocking units of meaning.

      Unit Operations
      3.5
    • Persuasive Games

      The Expressive Power of Videogames

      • 450 pages
      • 16 hours of reading

      This exploration delves into how videogames construct arguments and express statements about the world, highlighting their unique persuasive power through their computational properties. As both expressive and persuasive mediums, videogames illustrate real and imagined systems, inviting players to engage and form judgments. Ian Bogost's innovative analysis draws on a 2,500-year history of rhetoric to examine its role in software and videogames. While media studies typically focus on visual rhetoric, Bogost introduces "procedural rhetoric," a new form tied to the rule-based representations and interactions inherent in videogames. He argues that this procedurality grants videogames a distinctive persuasive power that surpasses other computational forms. Videogames not only reinforce existing social and cultural positions but also have the potential to disrupt and transform them, fostering significant long-term social change. Bogost investigates three areas where videogame persuasion has emerged, demonstrating its impact on politics, advertising, and learning. Through this lens, the analysis reveals how videogames can influence perceptions and drive meaningful dialogue in society.

      Persuasive Games