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Miles Gibson

    Miles Gibson's darkly satirical writing is characterized by elements of magic realism and absurdist fiction. Although his narratives follow a linear structure, his use of black humor, pastiche, and unreliable narrators firmly places him among the postmodernists. His unique style explores the boundaries of reality and absurdity with a provocative wit.

    Kingdom Swann
    Dancing with Mermaids
    The Sandman
    • 2013

      Dancing with Mermaids

      • 176 pages
      • 7 hours of reading

      Set in the enchanting village of Rams Horn, the story blends fantasy and the supernatural, where legends intertwine with the lives of its residents. A clairvoyant grapples with her past as she awaits her deceased husband's return, haunted by demons that disrupt her peace. Meanwhile, the arrival of a mysterious African sailor adds intrigue and depth to the seaside community, creating a rich tapestry of emotions and encounters against the backdrop of ever-changing tides.

      Dancing with Mermaids
    • 2013

      Kingdom Swann

      • 210 pages
      • 8 hours of reading

      Kingdom Swann, a seemingly respectable Victorian gentleman, grapples with his complex feelings towards women, as illustrated by his encounter with a nude woman suspended from a pillar. This striking imagery sets the stage for a narrative exploring themes of desire, societal expectations, and the darker aspects of human relationships, revealing the tension between outward respectability and inner turmoil.

      Kingdom Swann
    • 2013

      The Sandman

      • 182 pages
      • 7 hours of reading

      Miles Gibson's cult novel from 1984 returns to print with a new preface by the author. Growing up in a small hotel in a shabby seaside town, lonely William 'Mackerel' Burton amuses himself by perfecting his conjuring tricks.

      The Sandman