Mark Fisher Books

A collection of transcripts from Mark Fisher's final series of lectures at Goldsmiths, University of London, in late 2016. Edited and with an introduction by Matt Colquhoun, this collection of lecture notes and transcriptions reveals acclaimed writer and blogger Mark Fisher in his element -- the classroom -- outlining a project that Fisher's death left so bittersweetly unfinished. Beginning with that most fundamental of questions -- "Do we really want what we say we want?" -- Fisher explores the relationship between desire and capitalism, and wonders what new forms of desire we might still excavate from the past, present, and future. From the emergence and failure of the counterculture in the 1970s to the continued development of his left-accelerationist line of thinking, this volume charts a tragically interrupted course for thinking about the raising of a new kind of consciousness, and the cultural and political implications of doing so. For Fisher, this process of consciousness raising was always, fundamentally, psychedelic -- just not in the way that we might think...

Exploring the intersection of found objects and popular culture, the Glasgow-based artist employs elements from the 1970s to present in his work. His innovative use of mirrors creates unexpected effects, while his pieces draw upon significant art historical milestones, from Piero della Francesca to Pistoletto. Influenced by music and movements like Pink Floyd, the Situationist International, and the Paris May 1968 protests, his oeuvre reflects diverse artistic phases and fascinations, showcasing a unique blend of experimentation and cultural commentary.

A unique guide revealing the secrets behind succeeding at the Edinburgh Fringe. Performers, venue managers, directors, producers, critics, press officers, and award judges offer their tried and tested advice to help to secure success for your show at the world's largest arts festival.

The History of the Peloponnesian War is acknowledged as the first great work in the fields of history and political theory. It uses narrative, debate, and analysis to document the war between Athens and Sparta (431-404 BCE). But its importance lies less in the story than in the way Thucydides tells it.

I sank into The Theoretical Foot like a fat strawberry into whipped cream . Intimate and moral, funny and wise, there is something incantatory about her style, though no sooner has she hypnotised you than she'll bring you sharply back to your senses . She is not, you see, just a great food writer. She is a great writer, full stop Rachel Cooke Observer

The symbiotic relationship of man and non-human animals is the result of a long intertwined history of the evolution of biological, social and cultural needs. This book explores the development of that relationship.

Donna Haraway's celebrated observation that "our machines are disturbingly lively, while we ourselves are frighteningly inert" has given this issue a certain currency in contemporary cyber-theory. But what is in- teresting about Haraway's remark - its challenge to the oppositional think- ing that sets up free will against determinism, vitalism against mechanism - has seldom been processed by a mode of theorizing which has tended to reproduce exactly the same oppositions. These theoretical failings, it will be argued here, arise from a resistance to pursuing cybernetics to its limits (a failure evinced as much by cyberneticists as by cultural theorists, it must be added). Unraveling the implications of cybernetics, it will be claimed, takes us out to the Gothic flatline. The Gothic flatline designates a zone of radical immanence. And to theorize this flatline demands a new approach, one committed to the theorization of immanence. This thesis calls that approach Gothic Materialism.

What do you do if you find yourself weeping in the stalls? How should you react to Jude Law's trousers or David Tennant's hair? Are you prepared to receive toilet paper in the post? What if the show you just damned turns out to be a classic? If you gave it a five-star rave will anyone believe you? Drawing on his long years of experience as a national newspaper critic, Mark Fisher answers such questions with candour, wit and insight. Learning lessons from history's leading critics and taking examples from around the world, he gives practical advice about how to celebrate, analyse and discuss this most ephemeral of art forms - and how to make your writing come alive as you do so. Today, more people than ever are writing about theatre, but whether you're blogging, tweeting or writing an academic essay, your challenges as a critic remain the same: how to capture a performance in words, how to express your opinions and how to keep the reader entertained. This inspirational book shows you the way to do it. Foreword by Chris Jones, Chief theater critic, Chicago Tribune

A comprehensive collection of the writings of Mark Fisher (1968-2017), whose work defined critical writing for a generation. This comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade. Edited by Darren Ambrose and with a foreword by Simon Reynolds.

The book explores the eerie atmosphere of Chillingham Castle, renowned as Britain's most haunted location. It delves into its gruesome history and the various paranormal occurrences reported over the years. Additionally, it shares the personal experiences of a regular visitor, offering a unique perspective on the castle's haunted reputation.